https://twitter.com/CulturaNacionAR/status/1528050156687527937
We bid farewell to Dolly Pussi, a key figure in Argentine and Latin American cinema
Santa Fe teacher; she lectured, organized and was a jury member at numerous international film festivals.
He directed Pescadores and several documentary short films.
+ Info: https://t.co/uwhinjlFYj. pic.twitter.com/X4em4HERKr
– Culture Nation (@CulturaNacionAR) May 21, 2022
In the 1960s she emigrated with her husband, the producer Edgardo Palleroto work with directors of the new brazilian cinemaWhat Geraldo Sarno, Paulo Gil Soares and Maurice Capovilla. He participated in the Viña del Mar Festivals (1967 and 1969), of the creation of the Latin American Filmmakers Committeeof the International Festival of New Latin American Cinemafrom Havana (1979 and from Foundation of the New Latin American Cinemachaired by Gabriel Garcia Marquez.
In the local industrial cinema, he started as a production assistant in “Camilla” and “Miss Mary”both of Mary Louise Bernbergand also carried out the research and production of the documentary “Argentinian soccer”from Victor DinenzonIn addition to taking part in “A wall of silence”, by Lita Stantic; “The trip”, by Pino Solanas; “El Che”, by Tristán Bauer; and “Revolution: The Crossing of the Andes”, by Leandro Ipiña.
https://twitter.com/INCAA_Argentina/status/1528031498007453696
It is with deep sadness that we say goodbye to teacher, mentor, director and producer Dolly Pussi, who passed away yesterday at the age of 84. pic.twitter.com/lj3KZpZg6f
— INCAA (@INCAA_Argentina) May 21, 2022
As a filmmaker He directed several shorts between the 60s and 70sand went back to filming with “We know how to look” (1991), the result of a contest on Channel 4 in England. She also did with Enrique Muzio “Solanas on filming” and directed the added scenes of the documentary “The Dismembered Nation”shot between 1973 and 1975 and finished in 2010, edited by his son fabio palero.
Source: Ambito

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