Together they made “The Adventure”, “The Night”, “The Eclipse”, later “The Red Desert”, transcendental works about human isolation. But they communicated very well with each other. In addition, those films gave him world fame. Which allowed him to return to comedies. Among them, “The pepper of life”, with Belmondo, “Modesty Blaise”, female James Bond luck, “High infidelity”, “I got married for fun”, “The girl with the gun”, “Women are like that ” (also called “Erotika, exótika, psicopátika”), “Cuentos colorados”, “Wild beds” and a few others.
Particularly noteworthy are “Celos italiano style”, by Ettore Scola with Giannini and Mastroianni, “The ghost of freedom”, by Luis Buñuel, “I know that you know that I know”, by and with Alberto Sordi, “Cuarto de la libertad” hotel”, by Mario Monicelli, “La Tosca”, by Luigi Magni, both with Vittorio Gassman, and two directed by herself: “La fuggiDiva” and “Scandalo segreto”. He met Antonioni again for “The Oberwald Mystery”, but he was already better off with Carlo Di Palma, a huge cinematographer. Whom he left for a younger photographer, Roberto Russo. It was he who accompanied her in the last good ones, and in the bad ones. She only asked for one thing: that they not take her out of profile.
Source: Ambito

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