There are figures that survive the passage of time. Last night, all the people who attended the Movistar Arena They went with the intention of doing a routine checkup. Just like at Lollapalooza in 2019, they confirmed what we all suspected: that Lenny Kravitz remains intact, not only because of his enviable physique for his 60 years, but also because of his inviolable principles as an artist. And it is that like in 1989 where the musician proposed that we let love rule, 35 years later he continues to insist with that message.
Blue Electric Lightan album released on May 24 of this year, marked a new chapter in the career of the New York guitarist, who stands out for being true to his style. The one that captivated and disconcerted many, because racism did not allow an African-American artist to make music that was neither for whites nor for blacks. Anyway, Kravitz always had to live with that gray, and boy did he take advantage of it. Your spirit soul stirred among the sacred waters of the rock of Led Zeppelin and taken refuge in infinity funk of Prince They led him to build his own sound.
And so this was raised new presentation on Argentine soilin which the artist, recharged with a new dose, once again showed the charisma to which he is accustomed. Throughout the show there was a incredible chemistry between the public and Kravitzwho in the middle of the show took the time to say a few words: “Wow, Buenos Aires. I’m grateful to be in this beautiful country after so many years. This is my favorite place on Earth. This spirit and energy is so strong and beautiful. I love you very much, and tonight, this place will be your home, your church, your temple, your theater. So let’s celebrate life together.”.
A mix between modern work and old classics
The lights went outa signal that declares the start of any show. And so, in the middle of the darkness, the formation entered, with Craig Ross on guitar, The Wolf in bass, Jas Kayser on drums, George Lask on keyboards, Harold Todd and Michael Sherman on saxophones and Cameron Johnson on trumpet. Finally, the unmistakable Kravitz, in a tight black outfit, his iconic glasses and his cheeky dreadlocks.
In case there was anyone unsuspecting, The concert opened with the most famous of his riffs guitar, and the protagonist asked, as he did more than 30 years ago: Are you gonna go my way? We had no choice but to follow his path, which continued with “Minister of Rock n’Roll” and “Bring It On”. This gave way to “TK421”one of the most notable cuts from his latest project, for which Lenny emulated the sensual movements of the video clip, was encouraged on the bass and pronounced a line full of groove to move the souls of the Villa Crespo enclosure.
In a recent interview with Zane Lowethe musician expressed that Blue Electric Light It’s the album he didn’t make when he was a teenager. and that he was in a moment where he was not tied to any commitment. In the same way he moved around the stage, as if he had no obligations and with a carefree walk. This is not to say that his music has not matured, but rather it is a spirit that oscillates between the jovial and the experience, with a well-deserved arrogance for being one of the most important rockers in activity.
Separate paragraph for the connection between Kravitz and his fans. Throughout the recital, The artist was grateful for the love they were giving him and highlighted, as is customary, the fervor of the Argentine public.. Everyone present repaid him with the most valuable coin they could offer; an “Olé, olé, olé, olé… Lenny, Lenny” that the American will treasure for the rest of his life. And he didn’t stop there, but throughout the two hours he encouraged the cheering, brought a lucky child on stage who kept a pick from the singer, knelt down, waved and joked. In the end, There is no doubt that he was very comfortable during these days that he was in the country..
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With “I’m A Believer” and after a energetic first segmentthe setlist turned towards a more romantic and danceable section. This began with the powerful “I Belong To You” from his album 5passing through “Stillness Of Heart” and the classic “Believe” to reach the infectious rhythm of “Human”another of the most acclaimed songs of Blue Electric Light. To that was added “Paralyzed”the suggestive and erotic “Low” and “The Chamber” to reach a pause that served to catch their breath and prepare for the final stretch.
A mockery of time and a declaration of principles
Now, even though the recital was focused on the launch of Blue Electric Lightthis seems to have been an excuse to share old memories. And Kravitz He only shared three of the 12 songs on the albumwhich took away a bit of the importance of the tour name.
Anyway, that was anecdotal when compared to the end of the show, which was a caress for the nostalgic. Here Lenny brought out his side of hit-maker and ran over with a revival of old classics. The tour began with the powerful “Always On The Run” and the sweet “It Ain’t Over Till It’s Over”two of the most memorable songs on the album Mama Saidfrom 1991. By the time everyone expected to recover, the final slap came: “Again”, “American Woman” and “Fly Away”a string of hits that drove the public crazy.
The abstract visuals only accompanied the show, although Kravitz’s presence was sufficient, and it is worth noting that once again he mocked the passing of time. Many times people go to a show to enjoy those last glimpses that artists in decline or who are “turning around” have to offer. However, none of that seems to happen to Lenny, who He didn’t miss a single note in his guitar solos. and, as if that were not enough, he sang as can be heard in the original recordings, giving fans his characteristic voice, which accommodates harshness and offers an incredible variety of tones, from his natural chest voice to incredible falsettos.
There came a final pause, which meant a few minutes for Kravitz to pronounce sacred words: “We came here to amplify love together. So let’s do what we came to do”. That signaled the order that the time for the outcome had arrived, and it is logical that it ends with what started it all. Because we are talking about an artist who, in the maelstrom of a changing planet, always seems to stay on axis and not corrupt. “Let Love Rule” It was not performed with the intention of being a song, but as Lenny will have wanted all along; a mantra, which did not stop ringing in the ears of the 15,000 present.
He had the luxury of letting it marinate, to give a complete tour of the front field, hang the Argentine flag and conduct the Villa Crespo orchestra. Thus, without a formal goodbye, Kravitz howled the three words that kicked off his brilliant career and left them suspended in the air, forming a message that is still valid in the times we live in. But no goodbyes, because we all know that Lenny is here for a while and that This was just a new declaration of principles.
Source: Ambito
