The Martín Fierro to the theater left behind the frivolity of yesteryear and repudiated the ax to the culture

Without actors on a small screen, the meeting ritual with the public vibrates from the theater, that millenary, primitive and sacred space where magic happens. That is why APTRA opened Martín Fierro that rewards the theatrical work, to have a celebration that congregates actors, actresses, directors and other gears of that mutant machine, unlike other Martín Fierro de TV or radio where journalists, panelists, opinions, influencers and sadly famous characters arising from realities dominate.

APTRA’s decision to celebrate the Argentine Theater, the third most important pole in the world behind Broadway and London, And that in the absence of fiction on TV by the magnos budgets, it turned to a sober delivery in the art of art, which began warm and He ended up resonating with speeches in repudiation of the official chainsier and attacks on culture, especially against the closing of the National Theater Institute (INT). From Mauricio Kartun to Pilar Gamboagoing through Pablo Gorlero either Pabola Barrientosthey highlighted the INT that nor by Asomo finances all works but always officiated as an initial kick so that the works begin to dream, providing a slight shipment to take theater to the country or national theater parties. Everything that, without the institute, is unfeasible.

Luis VenturaPresident of APTRA, recognized this lack of fiction on TV and the decision to reward stories where they occurfrom the alternative rooms to the sheds and phs of the off, where experimentation and avant -garde, as well as reversions to continue listening to classics, and countless proposals of new authors and directors. But also the stories chosen by the producers of Corrientes street and erect to Buenos Aires as an eclectic capital and over -abundant of musical works and comedies, which attract local public, the country and the world. As well as an official theater of excellence represented from the CTBA and the Cervantes National Theater.

The first prize was for Maida Andrenacci as best cast actress for “Tootsie”, actress to which it can currently be seen in “The function that goes wrong.” Then the great Javier Daulte by address of both his work “The sound”, magnificent explosion of theatricality that goes for its third season in alley space as “Druk”, sparkling theatrical version of the Danish film winner of the Oscar “Another round”, that is presented at the Paseo la Plaza. That work also won the best commercial theater and best actor for Pablo Echarri.

Echarri He said in his speech: “Let’s commit to the repeal of the decree so that the INT does not close, let’s not forget that independent theater is an inexhaustible source of contribution for commercial theater”

In revelation he won Angela Leiva For her excellent soprano teacher in the musical “School of rock”, As a best protagonist actress off won the excellent Pilar Gamboa by “Shadows, of course” and “Parliament”, This last brilliant lava skin creation that is presented on Tuesdays in the Picadero. Gamboa express: “Outside there is a perfo of young artists who got together to say that without theater there is no awards, that we defend the INT because thanks to the Institute with Lava skin we could take theater to a lot cities of the country. Let’s continue defending it, they will not be able to with the theater and will win battle if we lose enthusiasm.”

The best musical work was “When Frank met Carlitos,” beautiful set that recreates an imaginary encounter between Frank Sinatra and Carlos Gardel And after passing through several rooms, he follows his functions in the Multiteatro from Wednesday to Sundays. As best dramaturgy they rewarded Cecilia Monti and Juan José Campanella by “Start with D, 7 letters”, Comedy with Eduardo Blanco and Fer Metilli that continues to a full room in the polythame, the best original music won Sebastián Furman by “Live Dead Model” of the blah blah, another phenomenon that exhausts localities in the Metropolitan on Thursdays, which also won as the best work of the theater off.

Gabriel Goity He won gold for his performance in “Cyrano”, One of the referents of the official theater, and expressed: “Do not refine the INT, it is a mistake. They are not mistaken, it is fundamental. From July 3 to 9 there will be a festival throughout the country to the cap to defend it.”

The best work of the commercial theater was “Tootsie”, While the best cast actor was Iván Moschner by “Cyrano”, actor who is still in the official circuit with the next Friday of the version of “Ricardo III” of Calixto Bieito In San Martín.

The best scenography design was for Jorge Ferrari for the exceptional “School of rock”, same set designer of “The Little Mermaid” and “Pretty woman”, both currently on the poster, while the best lighting was for Mastro’s history by “Legally blonde.”

As best leading offender off Miguel Ángel Rodríguez by “Still” And the best stand up was for “Moldavsky: The best of me.” As best leading actress of official theater won Florence Otero by “People, places and things” which said goodbye on the weekend of his second season at the Sarmiento Theater.

The best best soilonal was for “Gayola in Paris”, with action of Patricio Coutoune Like a boxer in decline, original music from Fernando Nazar and the address of Pablo Gorlero. It presents functions on July 12 in Tigre and on July 20. That same triad plus 14 actors present every Thursday in Callejón Espacio “Vichy incident”, of Arthur Millera work on Nazism in times of war with unfortunate validity. In his speech, Gorlero Indian: “To act up there, you have to act down there. Let us not be overwhelmed at all, that they don’t close anything to us, that no logito tells us what we have to do. ”

As best leading actress of commercial theater won Paola Barrientos by “Waiting for the float.” Barrientos held: “The INT accompanies, promotes and promotes all the instances of creation and formation of actors, of shows, it is a federal institution because if there is theater in all corners it is because there is Int. We summon the representatives of all the provinces to repeal Decree 345 and 346 that casts what deputies, senators and so many artists agreed and put the shoulder of this law. They agreed everything so it must have something good.

Nicolás Vázquez He was awarded by his protagonist in “Tootsie”, who debuted last week in his project, “Rocky.” As a leading commercial theater actress, he won the Great Verónica Llinás by “Antigone in the bathroom”, currently the protagonist of “A shit Christmas” which occurs in Wednesday Premier to Sundays.

When the playwright and director Mauricio Kartun He received an award for the trajectory for his work and impact on the field of theatrical management, he reflected: “I would not have done the works that I did if there were no cooperatives of the Argentine Association of Actors, a system that gives us security, coverage, organizes us in a beautiful, collaborative and solidarity system. The other institution is the Int. All the shows that I premiered in the last 20 years in one way or another had support with a subsidy or passages for a tour or invited us to a theater party. launched a call for signatures to propose that legislators oppose the decrees that dismantle int and other official institutions.