“Making independent theater is an choice, as well as being part of a stable cast. It is to bet on its own aesthetic and poetics,” says Leandro Rosatiauthor and director of “Fragments of chaos”, That occurs at the El Popular Theater, Chile 2080, on Sundays at 18.
Past, present and future are intertwined to give rise to the drift of characters that, even without certainties continue, wishing, doing and projecting. All the resources of the musical theater, put at the service of a current theme. With actions of Dalila Real, Marcela Trajtenberg and his own Rosati; original music and sound of Rony Keselman. We talked with Rosati.
Journalist: How did the germ arise to want to write about this story that combines time trips, the world of actors and TV and the dystopian?
Leandro Rosati: It arises from the observation of reality, a desired Paul book that speaks of the breakdown of time in pandemic. I agree with certain very deep exchanges. There is also a phrase from Hamlet, the one that pronounces when the ghost appears ”time is out of quice.”
Q.: What story tells?
LR: Account the trip that two actresses and an actor make. There is no linearity. Past, present and future are intertwined and travel through a TV contest that requires the winners to offer an organ of their body in exchange for a trip to the past. Also a producer hires a cast to make musical scenes but do not know where or to whom, it only offers absurd instructions through WhatsApp. A future collapsed by climate change and a clandestine radio is painted that informs the resistance about a director that disappears.
Q.: What are the topics of the work?
LR: The truth, the lie, the naturalization of violence, AI, the need to produce and create a feeling of uncertainty that sneaks into a present that has become delusional.
Q.: How did you work on?
LR: Complex and distressing issues addresses from humor, there are masks, projections and a gallery of strange characters. For our group, which has been trajectory for more than thirty years there are certain characteristics that identify us. We address complex issues with the peculiarity of putting distance and thus enjoy it.
Q.: What is independent theater to do today?
LR: It is a choice as well as being part of a stable cast, is to bet on an aesthetic and a poetic, a language that is renewed with each show.
Q.: How do you see theater and culture today?
LR: Under a threat of a government that attacks and definance organisms that support the activity in the country. But there are hundreds of independent and commercial works so we bet to resist and continue creating.
Source: Ambito
I am an author and journalist who has worked in the entertainment industry for over a decade. I currently work as a news editor at a major news website, and my focus is on covering the latest trends in entertainment. I also write occasional pieces for other outlets, and have authored two books about the entertainment industry.
