In addition to the irregular but very publicized film with Guillermo Francella there are five other national novelties, including “I can’t have sex” and the good documentary “my best scene” by Gabriel Arbós
Like the famous transformist Leopold Fregoli In his time, or José María Vilches When he did “Bululú” throughout the country, so Guillermo Francella displays in a single show a varied repertoire of characters, one after another, in the film “Homo Argentum”composed of 16 very different episodes from each other but almost all with a marked bitter irony base. He has the advantage of exposing all his art through cinema, and also the disadvantage of doing so in the cinema, because the big screen demands more, and the moles, even if they are children, are forgiven less.
In the characterizations it is accompanied by a team worth mentioning: Connie Balduzzi, costumes, Araceli Farace, Camila Monroy, Susana Rabello, Oscar Rodríguez, makeup and hairstyle. Also there, Victoria Raffa, Ivana Miranda, Paula Riofrio, the list is long, in our cinema there are many skilled, enthusiastic people, whose names rarely transcend. Here logically the actor stands out, this is a festival Francella For rejoicing of his followers. And the pair is affirmed (and reiterates) Mariano Cohn-Gastón Dupratdirectors and coguionistas backed by Andrés Duprat, main screenwriter of everything they do.
They are good, let’s remember, without going any further, “My masterpiece” or the series “Nothing”, “Fine Arts” and “The person in charge” (First season). However, This time something fails. Too many episodes, not all are at the same height or deserve the same applause, to put it kindly, some seem half failed and the set is making monochord, Laughter becomes occasional and emotion is little. Luckily, several portraits are fixed that paint us almost as we are, sometimes chantas of a good heart, sometimes well intentional but in the background. For that type of paintings, Francella He is sent to do, and knows how to show off.
Other national premieres
In the shadow of “Homo Argentum” There are five national premieres that paint other facets of our beaten national. Thus, the farce “The machine, the dolphin and the garden dwarf” (Tomás Larrinaga, family fights for a ridiculous heritage), “Olivia’s belt” (Jeremiah Magnaghi Rudy, a nerd girl dedicated to astrophysics supports her friends while strange things happen at night, as if there really was a parallel universe), “The prince of Nanawa” (Clarisa Navas Correntina, monitoring of a Guaraní boy over ten years, with all that it means), “I can’t have sex” (Bel Gatti, disappointed self -portrait of a “Drag Queen” native of Lobos, Cuna del General Perón) and “My best scene” (Gabriel Arbós, attractive review of the work of ten different directors).
It should be stopped in this last title. Here some explain technical achievements that could pass half unnoticed (eg Lorena Muñoz with a sequence plane of “Gilda,” Demian Rugna With a night scene of “When evil lurks”), or evoke happy moments of a complex filming (such as Néstor Montalbano With the imaginary football game where the Creoles beat the invaders of 1806 in the comedy “Don’t cry for me, England”) or reflect on the echoes of 2001 in the present (Campanella before the vote of “Luna de Avellaneda”, Marcelo Piñeyro Thinking about the boys of “Thursday’s widows”that at that time they believed themselves different from their parents and today, most likely, they are as deplorable as they).
There is more, with another kind of “Homo Argentum”, pity they have less diffusion. Today at 8:15 p.m. in the Gaumont, “The Lord of the Penguins” (Damián Martínezbiologist monitoring García Borboroglu in its struggle to study and protect fauna both in our coasts and in those of New Zealand. For the National Geographic, this man is a hero. The function is sponsored by the New Zealand Embassy. And here the movie is only tonight.
The Gaumont has that, together with the premieres agreed for a whole week there is also this type of unique functions that neither bothers to announce. On Saturday there is another, “Gravity does not expect”of Patricia Bavaon the choreographer Viviana Iasparra. And on Monday 25, “Everyone wants to come to Brown”, by Juan Lucas da Rocha, registration of a historic neighborhood club that knows how to fight, and the technical director of his football team, so committed to the club that even has his house stuck to the court. A passion is a passion, as Francella said in “The secret of his eyes”.
Source: Ambito
I am an author and journalist who has worked in the entertainment industry for over a decade. I currently work as a news editor at a major news website, and my focus is on covering the latest trends in entertainment. I also write occasional pieces for other outlets, and have authored two books about the entertainment industry.
