Dominik said at the Berlinale that he hoped his film would be screened on the Croisette, but talks with Netflix seem to have stalled due to the Cannes rule that all competing films must have a theatrical release in France. .
One of the points, the American media speculates, is the window that France requires for films to go from the big screen to streaming: although it was 36 months before, that period has now become 15 months.
Cannes boss Thierry Fremaux, who is on friendly terms with Netflix co-CEO and CCO Ted Sarandos, tried to convince the streamer to return to the festival out of competition, almost succeeding in 2020 with “Da 5 Bloods”, by Spike Lee, but the return plan fell through after the festival canceled its physical edition due to the pandemic, Variety reported.
Netflix was last at Cannes in 2017 with Bong Joon-ho’s “Okja” and Noah Baumbach’s “The Meyerowitz Stories.” The festival then changed its rules after a strong protest from French exhibitors who demanded that competing films be screened in local theaters before broadcast.
However, Netflix is not averse to festivals. In Venice 2021 he premiered with “It was the hand of God”, by Paolo Sorrentino, and “The power of the dog” by Jane Campion, which received Oscar nominations.
Source: Ambito
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