The initiative is entitled “The Times of the Chimeras” and the selection was made by the Global Crypto Art Decentralized Autonomous Organization, which aims to consolidate a global crypto cultural community and is made up of artists. , curators, entrepreneurs, collectors, poets, scientists, and several early blockchain investors.
From Le Parc, master of light and movement, you can see the intervention that was carried out in the Obelisk of Buenos Aires, with which he was paid tribute in Argentina in 2019. These works were also exhibited in mapping and hologram formats during 2021 at the Xreal Festival, created on El Descanso Island, in the Buenos Aires Delta. This area, known as the “Latin American Venice”, today links nature with new forms of life in art, and now it also does so through this pavilion with its European sister city, very much in tune with the motto of this edition of the Biennial, which under the motto “The milk of dreams” (named after a book by the surrealist artist Leonora Carrington), proposes an imaginary journey through the metamorphosis of bodies and the redefinitions of the human.
De Kosice and Vidal will present boxes with holograms in wood and glass, inspired by those they created in the 60s and 70s with refraction and electricity. “Now we take them to the digital format with holographs -says Felipe Durán, director of the Superorange.io platform-. With Vidal, we work on the concept of the generative. Today, in the crypto world, there is a lot of talk about generative art, linking it to the artificial intelligence”.
“However, Vidal and Eduardo Mac Entyre, already in the sixties, referred to generative painting as that which has the capacity to engender and procreate the species: lines and figures that by their movement create new bodies and geometric figures,” he says. . With Kosice, author of the Madi manifesto and hydrospatial cities -where he proposes different ways of inhabiting space-, hydrokineticism was worked on through his work “Black Drop”, from 1968, this time taken to a digital format.
Both pieces by Kosice and Vidal can be downloaded for free from any mobile device in the UXART virtual museum of augmented reality, within the app on the kinetic art channel: which is a metaverse that seeks to give a virtual layer to the real. There you can also see works by other kinetic artists that were selected by the curator María José Herrera.
Also part of the exhibition will be Alberto Echegaray Guevara, whose work is centered on the link between art and money. In the previous edition of the Biennale, the artist presented an installation made up of three transparent glass spheres: the first one contained 1 million crushed real dollars; the second, 1 million euros in the same condition, and the third 250 bitcoins in a kind of flash drive. He has now made a leap into purely digital art by turning a physical work into a hologram.
“This hologram is connected to the Internet and records in real time the amount of cryptocurrencies that the buyer has in his virtual wallet anywhere in the world: it is the first intelligent NFT in the world,” explains the artist.
The 59th Venice Art Biennale, to be held from April 23 to November 27will bring together works by 213 artists from 58 countries, including the Argentine Gabriel Chaile -who is part of the official selection made by the Italian curator Cecilia Alemani- and Mónica Heller, chosen to represent Argentina in the national pavilion.
Source: Ambito
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