We talk with some biennialists:
José Guerrero, director of “Metrochenta”: “I’m a little over 30 and I’m already old in relation to those of 20, there is a gap that is noticeable. The new generations are crossed by groupism, we set up gangs and that habit that was interrupted by the pandemic, put us to the test, made us think of new ways. I don’t find a better way to endure than creating with others. The theater we do is permeated by the struggles we see on the street. Our generation does not get involved with the correct ways of doing theater if there are any, we are permeable to absorbing and destroying them. We get together and do. Pre-pandemic there was an urgency to produce, something that the pandemic stopped and we were able to take a step back and think about what to do as creators.”
Marcos Krivocapich, from “Unknown Address”: “There is a heterogeneous way of doing things, the theater continues to be a space of belonging, a meeting place for those of us who feel marginalized in other spaces. I feel that the biggest break has to do with the pandemic and looking at what we were doing on autopilot. We cannot do the same thing we did two years ago. Buenos Aires theater needs continuity, if you register under another logic you cannot do theater, that implies that they sponsor you, in that sense you have to maintain a certain aesthetic, ideological line. I see more the desire to enroll in the same thing rather than break with it.”
Marta Salinas, from “PachaBananix”: “The theater is a meeting space where you can put your desire, your questions and your whims, to dialogue with the present and perhaps fantasize about the future. What changed was the pandemic, new modes of production and reception in art arrived. I think that young generations are more permeable to change, it must be because of our naturalized relationship with technology and networks. We are still experiencing this reconfiguration of the world. It is interesting to be living in this time. We spend hours chatting about our interests and scenic fantasies, we read a lot, we watch plays when we can, we watch the news, networks, movies, everything that gives us material. One of the girls is a fan of YouTube and brings fresh references and current channels, something that increased in quarantine. In the work we tell our experience as Latin American immigrants in this context”.
Source: Ambito
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