Born in San Francisco in 1932, Cantwell studied animation before making the leap to Hollywood. They were not the only studies of his, he also attended the School of Architecture of Frank Lloyd Wright.
In the 1960s he worked at the Jet Propulsion Laboratory and at NASA on flight education programs. During that decade, in 1969, he was in charge of feeding the updates of Walter Cronkite during the 1969 moon landing.
His great success as a science popularizer and his passion for architecture led him to an incipient and fascinating world for him, that of science fiction.
started with Stanley Kubrick Y 2001: A Space Odyssey, for which he created many of the special effects and persuaded the director to start the film with the mythical opening sequence followed by the dawn of men and the famous bone. “I worked closely with Stanley (Kubrick) and convinced him not to start the movie with a 20-minute conference table,” Cantwell said at a convention.
Cantwell made the leap to one of the great sagas of the same genre and of the history of cinema in general with starwars. There she worked side by side with george lucas and developed the designs for some of the most iconic ships in the saga.
A design about which Cantwell has had to give explanations more than once in his life: “Originally I did not plan for the Death Star to have a trench, but when I was working with the mold, I realized that the two halves were they had shrunk where they met in the middle. It would have taken me a week of work just to fill, sand and refill this depression. So to save myself the trouble I went to George and suggested a trench.” .
Source: Ambito
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