Luhrmann has repeatedly said that he did not discover austin butlerthe film’s protagonist, through a traditional casting process, but fate brought the young actor to him.
“He found me,” Lurhmann previously said in a note with the EW site. “I got this videotape of this young man in tears playing ‘Unchained Melody’ and I thought, ‘Wow, what is that? How is that happening?’ And then I got a call from Denzel Washington, who cold-called me. I didn’t know Denzel. And he said, ‘I just worked with this guy on stage. I’ve never seen a work ethic like this.’ And I I’m like, ‘Okay, I have to see it.’ Honestly, I put him to the test, but he lived Elvis. What he’s managed to do is not impersonation, but living Elvis, to the extent that he’s humanized him.”
when doing Elvis, Luhrmann intended to cast someone who could bring out the singer’s humanity, rather than caricature or do an imitation. He wasn’t interested in a biopic so much as a bigger story about American culture that uses Presley as a means to discover deeper truths.
“Her life fits beautifully into three acts,” Luhrmann said. “There’s Elvis the punk, if you will, the original punk rocker, the rebel. Then there’s Elvis the filmmaker, and that’s when it’s pop and family. And then there’s Elvis ’70s, which is epic. The Apocalypse Now of musicals It’s what I’ve joked about calling the movie, and that’s the ’70s period. It’s so long and beautiful, but it’s powerful. It’s a pop cultural opera in three acts.”
Elvis hits theaters June 24.
Source: Ambito
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