Los Ladrones_ The true story of the heist of the century _ Official trailer _ Netflix.mp4
Netflix
Some of the statements that will be seen in this documentary film:
“Using weapons was not in my style of what I was trying to find: artistic theft. We created the Donatello Plan, not by the artist, but by the Teenage Mutant Ninja Turtles. They were in the drains, they did martial arts and they were green like cannabis” – Fernando Araujo, the thief known as “the artist”
“Theft becomes a vice. It was like covering a void” – Rubén ‘Beto’ de la Torre, “the thug”.
“They ask me, did you steal? No, I worked, I took it as a job” – Sebastián García Bolster, “the engineer”.
“One of the fundamental things that thieves have, and that is why they get arrested, is the ego” – Miguel Sileo, “the negotiator” who was present at the robbery.
The Thieves: The True Story of the Robbery of the Century features interviews with Fernando Araujo, Luis Mario Vitette Sellanes, Rubén de la Torre, Sebastián García Bolster, Leandro Dall’acqua, Walter Serrano, Miguel Sileo, Gastón Garbus, Daniel Salcedo and Estela Maris Casal.
Los Ladrones: The true story of the robbery of the century joins the catalog of Argentine documentaries available on Netflix such as Carmel: Who killed María Marta?; Nisman: The prosecutor, the president and the spy; Vilas: You will be what you should be or you will be nothing; Fangio, the man who tamed the machines, and The photographer and the postman: The crime of Cabezas.
How was the so-called “robbery of the century”?
In 2006, a group of men broke into a Buenos Aires bank, took 23 hostages, stole millions of dollars and jewelry from safes, then vanished. After the escape, the ex-wife of one of the thieves betrayed the perpetrators, who were tried and sentenced to prison terms. Finally the sentences were reduced and today they are free. How did the protagonists of this fact get away with it? In this revealing documentary, those responsible for the act tell all the details of how the perfect hit was produced.
Source: Ambito

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