Journalist: What challenge was it to do the voice of an animated character?
William Francella: I had never done it and when Luis Scalella proposed it to me it reminded me that even Tom Hanks did the voice in animated films. I liked going back to the white humor of our childhood, thinking of parents and grandparents watching this project, so I accepted. If you make it very plausible, it won’t work, because there is a color in which they are all a little more exacerbated, like the past of a town, as I say. Before accepting, I was practicing placing the voice in synchro and I also liked playing that bad guy in a movie with such an emblematic title. I had to try to be as efficient as possible in that fraction of a second.
Q.: What can you say about the movie villains?
GF: This villain, when he sees the values that the hen has, feels that it is ideal to exploit it in a circus, he does everything to take it away, but as always, the good guys win. I grew up with Disney, Mickey, Pluto, Bugs Bunny, the Roadrunner, and always the bad guy wanted to catch the good guy. Over time I saw others with my children like Monsters Inc, Nemo, Shrek and the presence of that bad guy is always there, sometimes achieving his goal and almost always not. I think of Scar from The Lion King, the bad guy who had killed his own brother.
Q.: Shakespeare always hidden in movies for kids.
GF: It is true, and they are getting heavier and harder. That’s why I associate this white humor with what we used to see when we were kids, today making humor is a complicated task because all the time what is best for humor is measured. I talk to authors and they point out that this is politically incorrect, and that this other can offend, and that the paradigm has changed today, they analyze all the time what we can laugh at. It’s too much. I feel like they don’t realize it’s fiction. They want to reissue El chavo and are wondering whether to hit a boy inside a barrel. But it’s the guy. I understand the humor of times, and that what in our time yielded today does not, but the truth is that there is no comedy program today.
Q.: Where was the capocomic Francella?
GF: They don’t send me humor scripts. They argue that if we do this or that thing we go to jail, there is always something that is not right to put into practice. This is a new world of networking that I deeply hate. Because from anonymity it is extremely cruel to point out, judge and feel protagonists for a little while. I am demolished by the current universe of taking photos and waiting for the answer, either you like it or someone insults you. They publish “Today I ate lentils” and what do I care. I couldn’t live like this. Obviously it’s this time and I have to accept it, I like the immediacy of the news, but I can’t commune with everything else.
Source: Ambito
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