The trailer is a showcase of the amount of never-before-seen footage of the artist in his possession. The film also follows the different transformations that Bowie had throughout his career.
It is the first documentary of the legendary artist made with the complete approval of his family. Iman, the Somali model and Bowie’s widow, had expressed misgivings about the project, but Morgen’s project, who directed, produced and edited the film, won her trust and was granted access to Bowie’s personal files, including all her 35mm and 16mm recordings and videos of his theatrical performances.
“I don’t mean to downplay any of this, but: Bowie was the best quarantine partner one could have,” Morgen told Rolling Stone.
“You know, I’m sitting here, two years after a heart attack, and I’ve moved into my office because I’m too scared to be around anyone. So I’m all alone trying to do this for myself…and yet, I’m making a film about an artist whose trade is how to be creative during periods of isolation. He appears in every phase, from Ziggy to Blackstar. I didn’t see anyone during the first months of the pandemic, but I saw David’s face every day when I woke up to go to work. It was almost like it was meant to be a pandemic piece of art. That was the only way it could end.”
Morgen continued, “I feel like Bowie taught me that. You know, there may be some things on Moonage Daydream that the property isn’t happy to have in there. But they gave me the final cut and they never told me I had to include this song or that, or make any changes. From the beginning, it was: This is not David’s movie. He’s not going to see it. This is Brett Morgen’s David Bowie. Do your thing.”
Morgen has been in charge of tapes like Kurt Cobain: Montage of Hellabout the leader of NirvanaY The Kid Stays in the Pictureabout the film producer Robert Evans. the tape on David Bowie will premiere on September 16.
Source: Ambito
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