On her Instagram account, Barbarita wrote: “I have to tell you something very big, perhaps the biggest thing that has ever happened to me. Yesterday at noon, at her house, in her bed, with her dogs, her plants and her drums, my mother left, the black Egle Martin “.
“You don’t know how proud and how grateful I am to have had such a mother, with all that heart that she generously distributed in songs and rhythm for so many other hearts, that friend like few of her friends and unparalleled artist. I know that her soul and her talent. We are very sad but she prepared us for everything, she gave us so much that we are going to be able to, “said the vocalist. The author of the albums “Si va” (2015) and “Criolla” (2021), concluded in her publication: “Thank you mommy, I have no words, I only see you in all the beauty of my life and I thank you for being there every time I needed you. I love you always.”
It was in the musical territory where Egle Martin reached international recognition for talent as a singer as for being an instrumentalist specialized in African, Brazilian and jazz rhythms and for having worked beyond musical genres.
In this facet he worked with great masters of music such as Astor Piazzolla, Vinicius de Moraes, Lalo Schifrin, Dizzy Gillespie and Maysa Matarazzo, although he only recorded it in three recordings: “Astor Piazzolla / Egle Martin” (1969), “El Dombre / Dombe Barilo” (1970) and “The Art of the Encounter” (1991).
Egle Martin Piazzolla.webp
Born in Buenos Aires, June 17, 1936, Egle was the daughter of the writer Verónica Berry, famous for her book “After Time” and from the age of seven she studied classical dance at the Colón Theater Institute in Buenos Aires, at 14 She made her film debut in the film “Esta es mi vida” alongside Manuel de Molina and the following year she was chosen as the first “Queen of Argentine Television”.
After traveling to Chile to work in a musical comedy with José Bhor, the following year, in 1956, she made her debut in revue theater and as the first vedette she combined acting with singing, dancing and creating her own stagings. , choreographies, costumes and sets, a task that earned her the nickname “the intellectual vedette”.
Also on stage, he participated in the works “Israfel”, “Neither military nor marine… the Argentine President”, “From the altiplano to Plata”, “Fridays of eternity”, “This is Maiporama”, “The great magazine Volcano”, “Candombegle”, among others.
In cinema, meanwhile, she took part in titles such as “The best in school”, “The naked woman”, “What happened to Reynoso”, “Dad’s problems”, “The ruffian”, “The orilleros”, “Strange tenderness”, “A love at the edge of the world”, to name a few, while on TV it was part of the cycles “Living is all of this”, “Carmen”, “Ritmolandia”, “Gran Guignol”, ” On the shores of the great silence” and “La noche” with Pipo Mancera and Vittorio Gassman.
Source: Ambito

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