“In these adrenaline situations, there is a lot of information, a lot of data on many incredible things that are happening with Argentine music. It has happened in history and now also with this sensation of the new movement. We have to take advantage of it to continue trusting in what we do, in what each one has to show”, noted the artist.
At a press conference, the 24-year-old rapper reflected on the auspicious future that awaits this generation, which is leaving its mark in the music industry like never before: “Sometimes they show you where to go and tell you that there is only one way and only one option. In reality, there are a thousand ways to make music and everyone can find their own”, responded to a question from Télam about his declamation about “don’t buy colored mirrors” that he wielded from the Movistar Arena stage.
In addition to taking home the precious Gardel de Oro, he won in four other categories thanks to his second album “Oscuro Éxtasis”, chosen as the best alternative rock album, owner of the best rock song (“May they get better” ) and the best urban music collaboration (“Cambiando de piel”, together with Rosario Nicki Nicole) and where the “producer of the year” Evlay also contributed as a creative partner.
By sharing his feelings after the closing of the annual awards ceremony granted by the Argentine Chamber of Phonogram and Videogram Producers (Capif), Wos dedicated his news to all those who are taking “urban music to the top” such as those with whom he “crossed paths at age 14” on the freestyle and hip-hop circuits and thanked the compliments received with “surprise and emotion” by the previous winner of the Gardel de Oro.
He returned kindnesses to Abel Pintos and Fito Páez, and considered that such recognition by “inspiring artists for all of us who make music” will contribute so that “the exchange” with his peers “continues to bear fruit” in the future: “It is beautiful and the shared one is appreciated, because they are gross artists who are part of the history and DNA of the music of our country,” he added.
“This thing about categories in general is crazy. It always cost me a bit and it costs me with my music, that’s why it’s good to have participated in different categories such as rock and urban music, because I think the album goes through all of that a bit. It’s always good for me to get together and share with people who make very diverse music. It’s something I like, sharing with everyone, but also with no one, sometimes”summarized.
With his award-winning album, the also winner of four statuettes in the 2020 Gardel Awards, decreed a further step in his evolution, one that does not know what sound directions it will end up taking: “I think we are in that search all the time. And sometimes you find it. It’s about looking for other nuances, and not more prizes. It’s an internal and personal search that happens with what you do, how you feel and how you transform “.
“I allow myself that what I do from now on may be something very different from what I do next. It is what keeps me excited; knowing that what I am doing now can end up anywhere else. It is a vertigo that I drink a lot,” said the artist.
According to his words, “Oscuro Éxtasis” marked a journey towards “introspection” in response to all those “emotions” that had surfaced in “Caravana”, the album with which he finished taking off the stellar figure suit of freestyle competitions – with a world title included in the 2018 Red Bull Battle of Gallos- to make way for that of composer and singer.
“It was all step by step. In fact, at some point when I was with my first songs I thought that I only knew how to improvise and that I was never going to be able to do a proper song. And I couldn’t sing either. They were things that I discovered very slowly. path The desire was greater, first, the rest appeared later”, concluded.
Source: Ambito
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