Son of Eduardo MacEntyre who in 1960, with Miguel Ángel Vidal, conceived the Generative Art Manifesto, an expression coined by Ignacio Pirovano, which “generates a series of optical sequences, produces force and energy, generates beauty, a new beauty, Cristian studied graphic design at the UBA and trained in his father’s workshop, who urged him to start with academic work in order to later be able to break the rules. Today he pays tribute to him through emotional words: “I think I approached painting to meet my father.”
In Cristian’s work we can mention the asymmetrical dynamism of complex forms, at times baroque, colors and reflections, a color that is expressed with great luminosity. The viewer is involved by the optical effects, establishing an aesthetic and sensory communication that leads him to interact with the dynamic, changing, moving image. Among the works we highlight the acrylics on canvas “Octópodo”, “The wheel, the cross and the flower”, “Indigo” and the boxes made in 2012.
Peter Halley (New York, 1953) who, in addition to being a painter related to minimalism, neo-geo, also known as a writer and theoretician, maintains that “part of the aesthetic appeal of geometry is that it is outside the anguish of the struggles to death and promises a kind of beauty that is combined with clarity and serenity in laws that are supposed to be eternal, and he adds, geometry cannot have a crisis”. (Cerrito 1522. From 12 to 19).
Source: Ambito

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