“Music is definitely always the blood of any ritual and the only art form out there that is capable of making thousands of people from different social classes dance, jump and sing at the same time. It’s really prodigious”, said the band’s vocalist, Marc Gili, in dialogue with Télam, reflecting on the album’s message.
The word “ritual” gained strength for the group due to the need for social encounters in times of pandemic and isolation, but they also use it as a resistance against “individualism” that promotes the “neoliberal or turbo-capitalist system in which we live” .
“Ritual is a word full of energy and almost always positive connotations. Full of us; that we that we developed so much in a pandemic against individualism. It is about those rituals that make us sacred, that make us a community, and de-individualize us. Therefore, it was a word full of meaning in the post-pandemic era in which this record was going to be released, ”he added.
Within the new repertoire there are forays into Italo-disco, pop, hip hop and Caribbean music, as well as verses sung in English, French, Portuguese, Russian and Catalan, which account for the melting pot of colors and roots that bifurcate within a work where the Argentinian chacarera meets the talent of the Colombian Lido Pimiento, champion in the mixture of tropical, indigenous and electronic genres.
About that collaboration entitled “Libre”, Gili summed up: “That is the kind of ‘crossover’ that for us right now marks what is Dorian’s present and future trajectory and where we want to continue exploring our future in the next songs” .
Close to Argentine groups such as Babasónicos, with whom they maintain a “musical brotherhood and fraternity”, Dorian will take advantage of this new visit to Buenos Aires to take “new musical alliances”: “We are a group that is always very attached to the street and attentive to what What are young people doing?
“We already know the classics of music; That is why we have dedicated ourselves for many years to listening to and accumulating knowledge about the history of popular music from both sides of the Atlantic and from other parts of the world”, added Gili, who also celebrates that “Anglo-Saxon music” has lost hegemony in the world.
In this sense, he considered that in the face of the lack of “innovation” and “good songs” from countries such as the United States or the United Kingdom, other movements emerged that “took advantage to gain territory, taking advantage of that lack or lack of creativity” as he has fact “the Latin world that has taken the lead”.
“It is something that from Dorian we celebrate a lot. It is incredible that Spanish as a language right now is in fashion throughout the world and that it has been through music. What a beautiful way to reach the whole world, with dance and music. Europeans are very turned towards Latin America”, she added.
Within the explosion of music in Spanish, Gili maintained that “hopefully it will also reach the underground” which is where Dorian’s history has been configured: “It is what we claim the most. Hopefully it’s not just radio music that conquers the world, but also other more risky proposals”.
Source: Ambito
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