“The reunion has been very strong. The people who love us and listen to us bring a very particular energy. It is like a very powerful affection that the public gives us, and we also really enjoy playing again because, after the pandemic It’s like there was an energy regrowth of them and ours,” he said.
He added that the “explanation” must be found in the “chemistry” that all the members of Cielo Razzo maintain: “We are much more than a group, I would say that an artistic collective that generates more than music. It is what sustained us for so long. It is the awareness of assuming ourselves as privileged and that the group is not just another element in our lives,” he added.
Throughout their history, Pino and his companions Diego Almirón (guitar and backing vocals), Fernando Aime (guitar), Cristian Narváez (bass) and Javier Robledo (drums) endured “very negative things, misfortunes and even pagan celebrations” that they managed to convert “into something real, strong and all-powerful” which is explained by direct contact with their followers.
The group is also part of a litter of artistic projects that emerged during the crisis unleashed at the beginning of the second millennium and that added their voice and commitment as a catharsis in the face of the social and economic disaster: “I remember that we were a group of friends of twenty years and we were all coming to life and carrying a lot of anguish because we didn’t have any kind of future”.
Inspired by that reality, they released a first album entitled “Buenas” and made themselves known with “Qué se yo”, the song with which they would leave the Rosario scene.
Source: Ambito
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