However, what no one imagined was the revelation that the preparation of that retrospective brought, since they discovered that for more than seven decades and in different museums the piece was shown in the wrong direction, upside down, that is, with its lower part upwards.
“In a photo from 1944, I saw that the canvas was [colocado] in the other direction on the easel. That intrigued me,” he said. Susanne Meyer-Busercurator of the exhibition, in an interview with the German newspaper Süddeutsche Zeitung, according to what was quoted by the AFP news agency.
The painting was exhibited “a year later”, in the wrong sense, in the mom from New York, he added. And when the Düsseldorf museum received the painting in 1980, he hung it in the same way.
The error could be due to the fact that “the painting does not have a signature” because in this way its meaning would have been determined by “the name of the painter, written on the back of the painting by the administrator of the estate” when Mondrian died, in 1944.
Another indicator that accompanies this thesis is that a painting from the same series that is exhibited at the Pompidou center has thick lines at the top and is thus shown to the public. “The thickening of the grid should be at the top,” the curator pointed out that when she identified the error she shared it with other curators and they shared the diagnosis. “I’m 100% sure she’s upside down,” she said, according to statements quoted in The Guardian.
Despite the error, the curator pointed out that the work will continue to be displayed upside down because it could “disintegrate” if hung on the right side now.
Source: Ambito
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