The Linzer Jeunesse Choir and the Bruckner Orchestra under Markus Poschner dedicated themselves to the second mass, which was written for the inauguration of the votive chapel of the new cathedral and can be performed in any weather. Hence the sonorous eight-part choir and the pure brass ensemble.
Markus Poschner chose the B minor symphony as a counterpoint or spiritual connection. The slow tempos – Poschner makes hardly any difference between the Allegro moderato and the Andante con moto, additionally chosen to be a bit slower due to the acoustics – did not allow Schubert’s music to sound in a classically frromantic perspective, but rather as it was when it was first performed in 1865 Exactly one year before Bruckner composed his Mass in E minor. And then this symphony became extremely mysterious and almost as otherworldly as the latter.
Something mystical in the basilica
Poschner also chose calm tempos for Bruckner, but with the Linz Jeunesse Choir, which was perfectly studied by Wolfgang Mayrhofer, perfectly intonating the long phrases and the fine music-making brass of the Bruckner Orchestra, he managed to exhaust the tension and put this music at its nerve to interpret – which evoked something mystical in the church interior flooded by the evening sun. It became clear how far ahead Schubert was of his time and how far Bruckner integrated his music into his own.
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