The presentation of the group Peripheral Operawith strong expressions in a call with free admission, in a space that belongs to the government of the City of Buenos Airessparked controversy and questioning in the social networks.
the setting, call Mermaids in Electronic Gardenstook place this Tuesday at the Fernandez Blanco Museumand corresponded to the group Peripheral Opera.
As can be seen, a flowery cast took the public visiting the museum by surprise, and offered an impressive performance in the garden of the neocolonial palace located in Withdrawal.
It was questioned whether the action was carried out at 18 hoursin a call with free admission, which earned criticism of the management of Horacio Rodriguez Larretasince the space belongs to the Buenos Aires government.
In short, the performance was reflected in dozens of cell phones of those present, and began to be vitalized by the social networkswith various questions, and it was even reproduced by TV channels.
As the show was promoted on the social networks of the Fernandez Blanco Museumthis indicates that the authorities of Culture of the City of Buenos Aireswith the minister Enrique Avogadro in the lead, they were aware of what would be on display.
The controversial “performance”
A character, who introduces himself as “Cloud”, vociferates: “What does poverty matter when you have the p… very hard. What does poverty matter when you have a hungry tail. Does matters. What does poverty matter when you go out looking mad in the streets, in the corners, for that bit of furious love that stuns you and makes you forget about poverty for a while.
“My heart is smoother, what does it matter. My will is blinder, what does it matter. My wish, what does it matter. More maddened. What does poverty matter if at least there is a lost look. What does poverty matter if at least there is a clear desire. What does poverty matter if at least there is a bag to follow. Does matters”.
The Opera Peripheral Explanation
As the group itself explains in its social networksSirens in electronic gardens is part of the “Furious Baroque” series, and “takes elements of noise, baroque, pop and post punk, to configure a monstrous opera based on a work with archives from different sources”.
“The performers appropriate the garden of the Fernández Blanco Museum”he concluded, like any explanation.
Source: Ambito
I am an author and journalist who has worked in the entertainment industry for over a decade. I currently work as a news editor at a major news website, and my focus is on covering the latest trends in entertainment. I also write occasional pieces for other outlets, and have authored two books about the entertainment industry.
