With almost 60 years of experience, Dino established himself as a key figure in Uruguayan popular music since his emergence on the scene in the late 1960s with his group Los Gatos, where, like the remembered Eduardo Mateo, he gave life to the call candombe beat.
However, it was in the early years of the ’70s with the publication of “Milonga de pelo largo”, together with the group Montevideo Blues, that it reached popularity.
Since then, Dino’s work was linked to the fusion of traditional Uruguayan rhythms with rock and blues, from which he established himself as a reference for a whole group of artists, among which Jaime Roos and Jorge Nasser stand out. .
However, despite his prolific activity, the fact that he lived in Dolores, a town far from his native Montevideo, and that many of his songs were popularized in the voice of other artists, made his work better known than his figure. .
In recent times, Dino had had to cancel some performances due to being hospitalized to treat his illness.
“There is a very sad news circulating that I do not want it to be true. Dino left us,” Nasser wrote on his Twitter account.
The Uruguayan Minister of Education and Culture, Pablo da Silveira, also spoke about it on the social network: “With Dino a part of all of us leaves. Long-haired milonga and Vientos del Sur were anthems of my generation, in a Uruguay that it was recovering democracy. And it knew how to continue in force until today. Thank you for so much. “
Source From: Ambito
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