Mauricio Dayub: “El Chacarerean has sold out places until December 8. ´El tightrope walker´ was the first show to be presented in two theaters. I started by raising the curtain on the Mar del Plata season, almost alone, working at 30%, I returned in March and after a few weeks we had to close again. I emphasize having been able to go through the crisis and have the room open today. We showed that theaters were safe places. I saw how people appreciate the return. ”.
Corina Fiorillo premiered this year “Tu tenderness Molotov”, “Like a bitch in a field” and “Cannibal”: “We are running from one theater to another to rehearse and eager as spectators. We all accumulated projects and in that sense it was a splendid year. It was complex in the first half because the uncertainty caught us again. There is greater awareness regarding the state’s support for culture and something is moving in that direction. There is a cultural support and I hope it continues ”.
Javier Daulte, with “Witness Light” and “The Amparo Resource” on the poster: “I always think all those who remain on the road, both theaters and artists, that they have not been able to. In the soul, it is day and night compared to last year ”.
Eva Halac, director of the CTBA Regio theater: “The theater was valued as a meeting space, as a social club. Social networks grew and there is a tendency to say everything that is good as a pat on the shoulder. For next year I see post-war consequences: we feel that the future is fragile and that time is short. That emotion seeps into the works. There is a loss of innocence. The future is then mortgaged to do theater that the world ends. There is a fresh air in the language, a rupture, a light in new fictions, perhaps the cinematographic hybrid helped to put aside so many personal and testimonial stories to open the fictions. The borders of theater and cinema are erased ”.
Mariana Chaud, who returns in December “I’m still lying” to culminate her retrospective in Sarmiento: “The sector had been very hit and suddenly there was an uncovering of things saved and created in a pandemic and flourishing that comes more from the artists than from elsewhere. There is a lot surprisingly. The theater once again surprises us with its ability to regenerate itself and there is a lot of voracity to consume theater, we went from total discouragement to rooms full of euphoric people ”.
Source From: Ambito
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