And although he did not provide details about the places where he will perform on his tour “El vicio de cantar 1965-2022”, which will be definitively revealed on December 8 when the grid is known, Serrat said that his wish is to say goodbye “to all those who have treated me well over the years “and do it” in the places where they are “.
“I will say goodbye, and I will not play again. I will return to the sites, I will say hello, I will eat, but I will no longer return to the stages. I will play and compose at home, I may make a record. But I will not return to the stage. It has to be done at some point. In the confinement I noticed the trees, the birds. And above all I read a lot. I was leaving it. And I will say goodbye not to the French, but as appropriate “, remarked the Catalan musician.
In this sense, he emphasized the accident suffered on stage by his colleague Joaquín Sabina in a joint show that forced them to cancel a tour and the subsequent coronavirus pandemic that caused “forced inactivity”, justifying his decision to say goodbye to your audience in person.
“The difficulties were distancing me. I was more and more away from the activity I was doing, and although not from the feeling, the truth is that I was also inevitably away from people. What I have decided is to say goodbye in person. I did not like feeling fired. for a plague. That is why I decided to go to the most natural place to do it, with the public in front of it, full of gratitude and joy, “said the Catalan.
And he predicted: “I want to make a show during which the smile of the people does not fall? There will be 20, 30 songs, and I do not know what they will be. I will be accompanied by my usual team. Technicians, musicians, Illuminators, the same as always? Even I’m going to be the same! Colleagues? I don’t know. Many things could be done. We’ll see. “
With a professional debut in 1965 on a radio station in Barcelona, Serrat emerged as a pioneer of what was called the “new Catalan song”, based on the revaluation and updating of rhythms, poems, stories and popular beliefs.
As a great example of his rescue of tradition, his musical readings of poems by Antonio Machado and Miguel Hernández stand out, reflected on two discs; but also his stance of combining Spanish with Catalan in his singing, which caused a controversy that left him out of the Eurovision Song Contest in 1968.
The artist also surprised as a singer-songwriter with “Your name knows me like grass”, one of his first great successes in our country, and he was definitely consolidated in that category with “Mediterráneo”, his great 1971 masterpiece that contained classics like the one that He gives the name to the plaque, “The woman I love”, “White people”, “Those little things”, “Vagabundear”, “Paper boat” and “Uncle Alberto”, among others.
The artist also positioned himself as a voice of rebellion against totalitarian governments, which not only caused him problems with the Franco regime, but also made it impossible for him to perform for many years in various Latin American countries.
In this sense, his absence in Argentina in times of military dictatorship and his triumphant return after the return of democracy with the album “El sur also exists” is remembered, in which he set the music of poems by Uruguayan Mario Benedetti.
His repeated attempts to unsuccessfully enter the Chile of the repressor Augusto Pinochet were also memorable.
Since the ’90s, Serrat dedicated himself to walking his legend through various stages, both alone and in the company of colleagues such as Víctor Manuel, Ana Belén and Miguel Ríos, in the show “El gusto es Nuestro”; and then Joaquín Sabina, in various joint projects.
In recent years, Serrat also overcame lung and bladder cancer and a heart attack.
His last solo tour was in 2017, where he devoted himself to reviewing his album “Mediterráneo”. When asked why he did not wait for the 50th anniversary of the album to celebrate it, he replied ironically: “Why wait? Who knows if in 3 years from now I will have air to blow out the candles?”
Source From: Ambito
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