Argerich, Netrebko, Camarena and Herman Cornejo at Colón 2022

Argerich, Netrebko, Camarena and Herman Cornejo at Colón 2022

The opening, then, will take place in March with “La Bohème” by Puccini with the direction of Alain Guingal, and Verónica Cangemi and Saimir Pingu in the leading roles, alternating with other voices in extraordinary roles. Then “El consul” continues, by Gian Carlo Menotti, under the musical direction of Justin Brown, on stage by Rubén Szuchmacher, and with Carla Filipcic Holm in the cast, a work also suspended by the pandemic two seasons ago (a title that is usually considered modern but is already over 70 years old). Giuseppe Verdi’s “Nabucco” will have stage direction, set design and costumes by Stefano Poda. In the lead, Sebastián Catana and Leonardo López Linares will alternate.

It will be followed by another inevitable classic, “L’elisir d’amore”, by Gaetano Donizetti, with stage direction by Emilio Sagi and the interpretation of Javier Camarena and Nadine Sierra. “The Seven Deadly Sins” by Kurt Weill and “Bluebeard’s Castle” by Béla Bartók will be seen in September, with musical direction by Jan Latham-Koenig and stage by David Pountney. This is followed by the aforementioned “The Pearl Fishers”, with an essentia version by Michal Znaniecki in co-production with the Teatr Wielki w Łodzi in Poland. At the end, the second Puccini of the year, “Tosca”, which will have the attraction of having the Russian soprano Anna Netrebko and the tenor Yusif Eyvazov in the aforementioned Oswald production.

The resurrected (in good time) Chamber Opera will feature the third Puccini, “Gianni Schicchi” (third part of his “Trittico”, “Le convenienze ed inconvenienze teatrali”, by Gaetano Donizetti, and “Little Women” by Mark Adamo. under the direction of Paloma Herrera, the Stable Ballet promises a good year with “Giselle”, with choreography by Gustavo Mollajoli and Natalia Osipova (Royal Ballet) and Isaac Hernández (English National Ballet), with étoiles. Then a Mixed Program composed by “Sinfonietta “By Leoš Janáček, with choreography by Czech Jiří Kylián, and” Carmen “by Georges Bizet, with choreography by Alejandro Cervera. In September” La fille mal gardée “by Ferdinand Hérold, with choreography by Frédérick Ashton,” Romeo y Julieta “, with choreography by Kenneth MacMillan and the participation of Herman Cornejo (American Ballet), and the closing will take place with the work of Franz Lehár “The Merry Widow” with choreography by Ronald Hydn and the Italian Roberto Bolle with the Russian dancer Polina Semionova as ba international dancers.

From August 12 to 20, undoubtedly one of the best moments of the year, Martha Argerich will be the center of a series of concerts that will feature special guests, including the conductor Charles Dutoit and the actress Annie Dutoit-Argerich , daughter of both. The Buenos Aires Philharmonic Orchestra, under the direction of Enrique Arturo Diemecke, will perform 19 concerts. Guest conductors include Edo de Waart, Charles Dutoit, Alpesh Chauhan, Josep Vicent, Alejo Pérez, Baldur Brönimann and Glass Marcano. The violinist Noa Wildschut, the pianist Javier Perianes, the clarinetist Andreas Ottensamer, the pianist Ingrid Fliter, the guitarist Pablo Sainz Villegas, the pianist Sergio Tiempo and the pianist Khatia Buniatishvili will perform as soloists.

Finally, among the extraordinary international visits, in addition to some of those already mentioned that include operas, ballets and concerts, they will perform in special recitals Ainhoa ​​Arteta, Nancy Fabiola Herrera, Sondra Radvanovsky, Roberto Alagna, Nadine Sierra, Jakub Józef Orliński, Michael Schade, Magdalena Kožená, and a lecture by the Italian writer Alessandro Baricco. Finally, at the age of 80, a glory from other times, Plácido Domingo, will return to the Colón stage in April, who long ago abandoned the tenor register and evaded some legal accusations of some singers, which he always denied. But his presence, no doubt, is always very beloved in Plaza Lavalle.

Source From: Ambito

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