As announced yesterday in the framework of a virtual press conference for media around the world, derivative fiction will also reach Netflix, although only in 2023.
But first, the fans of what was the platform’s first great worldwide “hit” for a production not spoken in English – a merit that was fiercely contested recently by the South Korean “The Squid Game” – await the outcome of the plot.
Locked up in the Bank of Spain, fighting with shots and grenades with military personnel who infiltrated the building, and mourning the death of their colleague Tokio (Úrsula Corberó), Salvador Dalí’s band of red overalls and masks is in its lowest hours .
Can they collect themselves and escape at once with the gold from the vault? That is the main unknown to be resolved for the final section of the series, in which its creators promised to “close the circle.”
“I believe that the characters close the circle and find answers that help to better understand that universe called ‘La casa de papel'”, explained Pina at the conference, adding: “I think it is the most balanced season, for As a spectator, she is the best, and she is the one we liked the most to write as well. When we finished writing it we were exhausted, and we did it in record time. It seems to me the rounder and the most exciting ”.
For his part, director Jesús Colmenar announced that after the first part of the season released in September and composed of “pure action, pure adrenaline”, these new episodes will be of a “more emotional” cut.
As always, the group will be under the command of Sergio “El Professor” Marquina (Álvaro Morte), the mastermind behind every step in the robbers’ plans. Along with him, Palermo (played by Rodrigo de la Serna), Lisbon (Itziar Ituño), Río (Miguel Herrán), Denver (Jaime Llorente), Helsinki (Darko Peric), Marseille (Luka Peros), Bogotá (Hovik Keuchkerian) and Stockholm (Esther Acebo), among others.
Nor will they lose what remains of the irritating hostage Arturo Román (Enrique Arce) and Inspector Sierra (Najwa Nimri), evicted by the police but equally enemies of the robbers.
The theft of – erratic – Robinhood anti-establishment aspirations will end, one way or another.
This proposal has traveled a long way since its premiere in 2017 on Spanish television’s Antena 3. Show on steorides and nothing else, for the detractors, or fun and catharsis for the followers; the truth is that about to say goodbye, “La casa de papel” is one of those series that does not cause indifference.
Source From: Ambito
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