Moria Casán and Muscari bring Shakespeare to the Buenos Aires Theater Complex

Moria Casán and Muscari bring Shakespeare to the Buenos Aires Theater Complex

Among the novelties, you will be able to see, among others, a staging of the emblematic “The dirty hands”, by Jean Paul Sartre, by Eva Halac; “Memories at siesta time”, inspired by the universe of María Elena Walsh and with puppets, directed by Emilio Dionisi; and “Who is Clara Wieck?” by Betty Gambartes and Diego Vila with the direction of Gambartes. “We wanted a season that moved us by the way we inquire ourselves as a society,” said Telerman, as he passed a detailed record of the works that will go on stage, while ensuring that “all the rooms and spaces for the performing arts in the city will be open and they will work fully. “

The director and playwright Mariano Tenconi Blanco will have two works on the bill, belonging to his tetralogy La Saga Europea: “Las cautivas”, with Laura Paredes and Lorena Vega, which this year had its premiere at the Teatro de la Ribera and which returns there in February 2022 , and the premiere in September in the Casacuberta del San Martín room of “Natural Sciences”, the second part of the four that make up the author’s creative residence and which explores ties between Latin America and Europe in the 19th century through literature.

Regarding the international season, the Buenos Aires Theater Complex will have visits in 2022 by the Italian choreographer Mauro Bigonzetti, who brings “La cantata”, who will be in charge of the San Martín Contemporary Ballet; “El colloquio de las perras”, by Hernán Gené -Argentino resident in Madrid- based on one of Cervantes’s “Exemplary Novels”; and the Spanish group La Zaranda -with several visits to the country- that arrives with “The Battle of the Absent” in August at the Teatro Regio. “We had to go through an unprecedented situation and from them we implemented a series of policies where we put into play mechanisms to articulate the public and the private,” explained Enrique Avogadro before the programming was known. “Vassa”, based on the homonymous play by Gorki by Felicitas Kamien, will be seen in April at the Regio theater and at the Sarmiento theater “Little Pamela” by Mariana Chaud will be premiered, which this year was the subject of a retrospective with four plays within the framework of the Artist in Residence program, which in 2022 offers new works at the end of the cycle.

May will bring a staging of the choreographic version of “Boquitas pintadas”, by Manuel Puig, by Renata Schussheim and Oscar Araiz by the Contemporary Ballet of the San Martín Theater; while in June in the Cunill Cabanellas room “What the river brings”, by the sisters Paula and María Marull and directed by them, will be seen; and the chamber opera “Le convenienze ed inconvenienze teatrali. Viva la mamma!” by Gaetano Donizetti, with musical direction by Silvio Viegas and stage director: Pablo Maritan who will be seen at the De la Ribera theater.

In the Regio theater in July the Group of Puppeteers of San Martín will stage “El rayo verde”, with adaptation and direction by Adelaida Mangani and in the De la Ribera, the same company, “Berta, la flor”, with authorship and Directed by Myrna Cabrera; while also in La Boca that month will be seen “Mi don imaginario”, by Mariano Taccagni, with the idea and direction of Pablo Gorlero based on songs and as a tribute to Hugo Midón and Carlos Gianni.

The Artist in Residence program takes place in August at the Sarmiento theater “Cofradía Eurobasket”, by Lucía Seles; while in September a version of “Blood Weddings”, by Federico García Lorca, directed and directed by Vivi Tellas, will be seen. September premieres include “Borkman”, based on “Juan Gabriel Borkman” by Henrik Ibsen authored and directed by Alfredo Staffolani at the Teatro Regio and “La gran renuncia”, free version of “La fiaca” by Ricardo Talesnik, written and directed by Lisandro Fiks, which will be seen at the Teatro de la Ribera.

“Luz mala”, by Pablo Rotemberg, with his choreography and direction, will be seen at the Casacuberta room in October, as well as “Her name means woman” authored and directed by Paola Lusardi at the Cunill Cabanellas; while in the Regio in charge of the Group of Puppeteers and directed by Emiliano Dionisi. it will be the turn of “The caregiver”. To close the year, in November “Black Ice” is announced, a creation by Luis Biasotto and Luciana Acuña with the direction of Luciana Acuña.

Source From: Ambito

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