“El Lavatorio”, a 16th century work, starred in the most viewed video of the Prado on social media

“El Lavatorio”, a 16th century work, starred in the most viewed video of the Prado on social media

In the most viewed video of 2021 of the Prado that focused on this significant work of universal history, the first thing that is asked is a question, the tactic that seems to dominate the portals and social networks: the question needs an answer and a look the video is supposed to answer it. Where do you have to go to see “The Lavatory” correctly? was the spearhead that opens this material on “The Lavatory”, where what follows is a mapping of possible angles and perspectives from which to look at the work, just as Tintoretto had imagined it more than 500 years ago, as well as an approach to the painting production context, a key exercise to understand the dimension of the work.

The painting “The Lavatory” was commissioned by the artist in 1547 by the Scuola del Santísimo Sacramento in the church of San Marcuola in Venice with the intention of “promoting the cult of the Eucharist, and in their meetings, the guardian offered to the confreres holy water, imitating the gesture of Jesus when washing the feet of the apostles “, they explain from the museum about this large piece.

But more than the theme, perhaps the most curious and striking thing about the work is that after “drawing the scene, Tintoretto introduced the characters thinking about the viewer’s point of view. This explains that, although when looking at the canvas from the front, the characters appear distributed Randomly, the impression changes when looking at it from the right, from a position similar to that of the parishioners in San Marcuola. Thus, the dead spaces between the figures disappear and the painting is arranged along a diagonal that, starting from Christ, continues by the table where the apostles wait their turn to finish in the arch at the bottom of the canal. of the pavement “.

The Prado’s strategy to share its collections follows the proposal of numerous international museums, such as the Uffizi Gallery in Italy, which found in the social network TikTok a new channel of communication with the younger generations, since 60 percent of users of This platform is less than 18 years old, where in addition the visualization of cultural content -such as # ArtOnTikTok- grew 3,000 percent in the last year globally.

Source From: Ambito

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