Twenty years, twenty works. That is the proposal to celebrate the 20th anniversary of Llegás Magazine, with a festival that will offer 20 plays from the theatrical program with half-price tickets. Between September 1 and 8, more than 150 artists will gather in 10 venues across the city, giving new audiences the chance to access proposals and discover or reconnect with the magic of theatre.
Ricardo Tamburrano, director of Llegás, said to Scope: “In this context of the enormous blow to culture, which affects us from the publishing and theatre perspectives, but the same thing happens with cinema, music, etc., we communicated with the theatre makers and evaluated what our intention of giving the spectator works at half price, to access the theatre, was to rebound. We feel that Llegas is a bridge between culture and people. So we are grateful to the casts and theaters that offered the tickets and partnered to give the spectator this benefit. The intention is to bring the audience up onto the stage, into the cultural framework and materialize this triad between theater, artists and audience.”
In addition to the programming, the festival will feature a master class in playwriting by Rafael Spregelburd, Wednesday 4th at 5pm at the Teatro Picadero, with tickets at affordable prices. And another master class, “The Performer” by Melina Seldes, Sunday 8th from 11am to 3pm at the Station Park (Gallo and Perón), with free admission and prior registration.
Tamburrano added: “The programme is diverse, with a focus not only on art and quality but also on collaborative community. We unite the private with the independent, and there is also the public, with this master class in the Parque de la Estación. The festival is comprehensive.”
The festival opens on Sunday 1st with “The Burdens”, of Christian Garcia, with performances by Pablo Chao, Lucas Crespi and Laura Nevole, a at 6pm at Casa Teatro Estudio (Guardia Vieja 4257). On Monday you can see “Damn desert“, of Bernadette Epelbaum, with performances by Gisela Baiardo, Delfina Oyuela and Eva Palottini, at 8:30 p.m. at Casa Teatro Estudio (Guardia Vieja 4257) and at 9:30 p.m. at Santos 4040 (Santos Dumont 4040) arrives “Visible goods”, of John Paul Gomez, with Enrique Amido, Patricio Aramburu and Anabella Bacigalupo, inter alia.
On Tuesday it will be the turn of “The tell-tale heart”, of Edgar Allan Poe, with Jorge Prado at 8pm at La Gaucho (Vera 448) and at 8:30pm at Teatro Picadero (Pasaje Santos Discépolo 1857) the new film is presented Lava Skin, “Parliament”, that integrate Elisa Carricajo, Valeria Correa, Pilar Gamboa and Laura Paredes.
On Wednesday at 5pm, the master class of Spregelburd It is titled “In search of the lost drama”, and proposes a joint experiment to review the classic actantial forms and see if their legitimacy can go beyond all fashions or – perhaps – accompany them all. It is a theoretical-practical masterclass on a single technical axis that could well be the only one that runs through all possible forms of theatre. What is the playwright’s task? Is it about writing a conflict or detecting it? Is it permissible to choose a point of view or is it possible to choose all possible ones?
That day at 8:30 pm you can see ““Total liquidation”, of Eliana Murgia, with Fiorella Cominetti and Eliana Murgia, at Dudou Vintage, Malabia 2105. And at 8:30 pm at Espacio Callejón (Humahuaca 3759) comes “Plot”, of Valentino Grizutti, with Vera Busetti, Valeria Correa and Raul Antonio Fernandez, inter alia. Also on Wednesday there is a performance of “The Extraordinary Life”, of Mariano Tenconi Blanco, with Lorena Vega and Valeria Lois at 8pm at the Riding School.
Thursday is presented “The Illusionist”, of Melina Seldes, at 8pm at Vinoteca Contraetiquetas (Lope de Vega 2856); that day there will also be “Scenic notes on: the amoral, the butch, scientific collection” of Jorge Thefs, at 9pm at the Inclán Floor (Inclán 2661).
On Friday it will be the turn of “Printers”, of Lorena Vega, at 8pm at El Picadero; ““The gravity of bubbles”, of Juan Pablo Galimberti, at 8:30 p.m. in the Camarín de las musas (Mario Bravo 960) and there will be a special activity “Reveal the text”, titled “Mother and daughter”, of Ruben Sabbadini, where a playwright is asked to show what he or she is writing, or what he or she is working on, at the time of the Festival. The text will be staged in the format of a staged reading. The author, together with the actresses, will present the text. Laura Lopez Moyano and Manuela Sanchez, They read from paper and interpret the text out loud, as a first hypothesis of representation. It is not the staged work, it is the degree 0 of what the work will be, its potentiality. Two actresses and an author propose to reveal a text to the public. At 7:30 p.m. at La Gaucho (Vera 448). Free activity with prior registration.
On Saturday it is presented “Patience”, of Macarena Garcia Lenzi, with Karina Elsztein, Valeria Giorcelli and Noelia Prieto, a 6 pm at the Dressing Room of the Muses (Mario Bravo 960); “The force of gravity”, of Martin Flores Cardenas, with Laura Lopez Moyano at 7pm at Casa Teatro Estudio (Guardia Vieja 4257); “Now later”, of Guido Zappacosta, with Federico Ottone, directed by Hector Diaz, at 10:45 p.m. at the Riding School.
The festival closes on Sunday with “The pastry chefs”, of Ricardo Tamburrano, at 13 at Club Saber (Llerena 2727); “I am here without end”, of Leticia Coronel, at 6pm at Los Vidrios Studio (Donado 2348); “Tales and legends”, of Joel Pommerat, with address of Christian Drut, at 8pm at the Inclán Plant; “I want to say I love you,” of Tenconi Blanco, with Violet Urtizberea and Lucia Adurizat 9pm at the Riding School.
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Tamburrano He concluded: “As a magazine, our fundamental objective is to disseminate the artistic events that take place in the city, mainly in the performing arts. Therefore, we maintain that holding a Theatre Festival is to continue contributing to the production of cultural events from various points of view, since All of us who make Llegás are artists from different artistic disciplines with more than 25 years of experience. Throughout our 20 years we have maintained the free nature of our means of communication, a hallmark of the festival, which maintains the spirit of our magazine and encourages exchange with theatre companies.”
Source: Ambito
I am an author and journalist who has worked in the entertainment industry for over a decade. I currently work as a news editor at a major news website, and my focus is on covering the latest trends in entertainment. I also write occasional pieces for other outlets, and have authored two books about the entertainment industry.
