Beatrice Dávila is one of the richest women in Colombia and is the wife of Julio Mario Santo Domingo. Find out how she made her fortune.
Beatrice Dávila is a Colombian businesswoman and magnateknown for her influence and success in the business world in Colombia. In addition to her success in the business world, she was involved in several social and philanthropic initiatives.
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Forbes magazine highlights that Beatrice’s fortune is currently around $3.7 billion since she is also the owner of a third of the inheritance of her husband Julio Mario Santo Domingo, one of the most important business magnates in Colombia.


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Who is Beatrice Dávila and how she built her fortune
Beatrice has shares in Anheuser-Busch InBev, the world’s largest beer producer based in Belgium and with a global market share of around 25%.
Beatrice always found support in her husband Julio Mario for her efforts in culture. In addition, together with her friend and fellow student at Tadeo Poly Mallarino, they put together their first project, the Deimos Gallery, organized the School of Arts and Crafts, which had its first location in the Las Aguas neighborhood, and then settled in a restored house in La Candelaria, where there was also space for artisans’ workshops.
Dávila not only plays a prominent role in Colombia, but is also involved in important cultural projects in New York. She is a patron of the Metropolitan Opera House and the Museum of Modern Art (MOMA). In addition, she sits on the board of trustees of the Carnegie Hall Society and supports the educational organization Sesame Workshop.
A very interesting detail about Beatrice is that her eldest son is married to Lady Charlotte Wellesley, daughter of the Earl of Wellington. Their wedding in Granada was attended by, among others, King Charles I and Camilla Parker-Bowles.
Source: Ambito

I am an author and journalist who has worked in the entertainment industry for over a decade. I currently work as a news editor at a major news website, and my focus is on covering the latest trends in entertainment. I also write occasional pieces for other outlets, and have authored two books about the entertainment industry.