The hurricane Emily It passed through Vélez on the weekend with two of its four stadiums to become a record with 70 thousand people on the weekend, and there is still next weekend with some tickets available for Saturday. Emilia Mernes In this way, he establishes himself as one of the stars of the moment, who sold out all the tickets for his shows in a few hours, after “sold out” in December for the ten dates at the Movistar Arena in April and May of this year.
Emilia, who gave two and a half hour concerts on Friday, Saturday and Sunday, presenting her latest album, “MP3”, had a visual, vocal and choreographic impact.
Focused on their bright and strident outfits dominated by glitter, which are copied perfectly by the fans, mostly preteens and pubescents, the technological display with huge LED screens and lights completes the visual scaffolding.
An excellent dancer who attracts with the grace and perfection of her movements, she also has a good voice to sing songs with different styles. There are some that are closer to cumbia and therefore more personal or related to these latitudes, such as “The Blue Angels” or those more pop like “The playlist”, that also twin it with that neutral style that prevails in Latin America.
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The entrerriana Emilia Mernes She oscillates between innocence and daring, with those folksy vestiges that still remain (“I eat the R’s”) and visibly moved when dedicating a song to her father or standing in front of a packed stadium to share her amazement.
The most distrustful will say that the solemn moment is digital, but for those who still believe, the 27-year-old is the emblem of the girl from the interior who triumphs in the capital at the convocation level and opens up to the world with her successful pop songbook and trapper with echoes of cumbia Gilda either Rodrigo.
Emily He opened with the hit “Exclusive” and continued with songs like “Facts.mp3″, “4:20″, “Jagger.mp3″, “Intoxicao″, “Ojitos_verdes.mp3″ and “IConic.mp3”. Without a doubt, the phenomenon cannot be explained without social networks, through which the artist proposes choreographies that are appropriated by followers through viral Tik Toks.
Hence, they all know the choreographies perfectly, with those Tik Tok dances that hypnotize crowds and transport the little fans to another dimension.
That virtual reality in which they spend hours creates an even intimate closeness between artist and audience. At the same time that the algorithm reiterates the same content, it contributes to reinforcing idolatry to the highest levels of fanaticism. Therefore, when the time comes for the recital, which turns the virtual mirage into a concrete reality, no one wants to miss it and enormous efforts are made to not be left without admission, from the eternal virtual lines to the financial outlay involved in purchasing the tickets. By the way, the cheapest one in the upper stalls cost 35 thousand pesos.
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The aesthetics of the concert are inspired by the 90s, in those times when Emily I grew up admiring singers like Bandanato whom he dedicated “Maldita noche”, the flagship song of that group that emerged from a reality show.
The big celebratory moment came when her boyfriend Duki He went on stage to sing “As if it didn’t matter”, and they also participated as guests Tiago PZK, Callejero Fino, Lit Killah, Rusherking and F.M.K., with the songs “Una foto”, “En la intimacy”, “Alegría” and “Los del Espacio”. The closing came with the deluxe guest, Tini (let’s not forget that she is a guest artist on the latest album by Coldplay) with “La_original.mp3″, “GTA.mp3″ and “No_se_ve.mp3″.
Source: Ambito
I am an author and journalist who has worked in the entertainment industry for over a decade. I currently work as a news editor at a major news website, and my focus is on covering the latest trends in entertainment. I also write occasional pieces for other outlets, and have authored two books about the entertainment industry.
