From the streets of punk to an unexpected success: who is the artist who played with Calamaro, Pablo Lescano and was recommended by Bizarrap

From the streets of punk to an unexpected success: who is the artist who played with Calamaro, Pablo Lescano and was recommended by Bizarrap

December 20, 2024 – 16:30

He is a multi-instrumentalist musician born in Buenos Aires and raised in Misiones. He is 32 years old and has 5 studio albums.

Ilan Amores He is a musician who plays several instruments and began doing punk with his bands Archie and then in Harm & Ease, with which he toured different parts of the world. Later, he ventured out as a soloist, exploring other genres under the name Chico Chico, which he borrowed from a bar in Ituzaingó. In his experience, he says that He had to break down the prejudices he had to start playing cumbia.

In 2021, when they asked him who he admired, he answered Andrés Calamaro and Manu Chao as the first ones that came to mind, and a little more than 2 years later, he was lucky enough to be able to play with each of them. . On November 2 opened the Calamaro Show in Posadas and on the 8th of that same month he was part of an event with Manu Chao.

Ilan Amores

How did the transition from punk to cumbia mark Ilan Amores’ artistic path?

The young composer already had a versatility in your repertoireso his turns were not surprising, but he admitted that with respect to cumbia he had certain prejudices that he was able to overthrow by knowing the artists and what they were capable of. In his new search, sounds from different styles of cumbia coexist, often accompanied by electronic bases with hints of psychedelia and roots of Latin American popular music.

When they asked him how his transition from punk to cumbia He confessed that the styles were more “neighboring” than is believed. But anyway, he got a surprise when he entered a bar that rockers usually avoid. There he heard artists for the first time that surprised him. In his words, “it’s scary how the cumbieros play.”

In that foray he verified that cumbia was not second-hand music at all. Furthermore, he considered that learning new genres is something very productive, especially styles that are not known. Furthermore, he considers that he learned a lot about the language of cumbia and that his own musical style fit perfectly into that rhythm.

There he understood that both were street styles, a search for identity and a message to give in this world that is different from what they usually sell. It seeks to generate a new vision, unite people and question authority. According to him, “if you change the music to ‘You’re a button’ from a stone flower and ‘You’re not the same’ of 2 minutes, they’re practically the same.”

Source: Ambito

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