Twenty One Pilots delivered his work to the Argentine public and said goodbye to Latin America in the “Clancy World Tour”

For the 19the intersection of Humboldt street and Avenida Corrientes was already red and yellow. The effervescence of fans of Twenty One Pilots -Allained Clique– surrounded the Movistar Arenawho prepared for The last of the two nights of the Ohio duo in Argentina.

On the occasion of “CLANCY World Tour”, Tyler Joseph (voice, piano and bass) and Josh Dun (battery) They visited the country for the first time aloneafter having presented the last three times in editions of the Lollapalooza Festival. But the frame on this occasion was different; The public came to see them exclusively to them, with exhausted entries.

Twenty One Pilots is a band whose Commitment to living does not falland this show, like the rest, was no exception. The two musicians They walked all over the Villa Crespo enclosure as if it were the patio of their house, emanating a vitality that reinforces its validity. In addition, the concert – which to the surprise of many started punctual – served as A dynamic review of all your albums, with jewels for the most nostalgic and hooked for the unsuspecting. And while the sound caused by the enclosure shone, on several occasions, by its absence, the duo He took a show with claw and professionalism.

A sample of how to raise an artistic concept

For the most uninformed, Twenty One Pilots He maintained a narrative thread in the last four albums he released. And just as in 2016 Tyler Joseph appeared before the Argentine eye with The neck and hands painted blackalmost 10 years later he left the same way to the stage. Blurryface (2015) It was the starting point to make a musical universe that represented, in essence, The fears, insecurities and even Joseph’s darkest thoughts.

Overcompesatefirst track of his latest album CLAY (2024)it served as a highlight of entry, as a blow to the stomach of the people. From there they went to Holding Onto Youthe acclaimed UPbeat theme of Vessel (2013)that was hooked on Vignette to mark a meeting point between the beginnings of the band and its actuality.

And it was through an overwhelming rhythm that the duo interpreted the vertiginosa Car radio and The Judgea sweet song within the spooky universe of Blurryface. These two pieces gave rise to two others, from different albums but refer to the same person: Jenna JosephTyler’s wife, whom he dedicated The Craving and TAAR IN MY HEART. Anyone who has reached this point of the show You can say that he witnessed an act of teleportationwhen the vocalist disappeared from the stage and appeared unforeseen in the high plate of the Venue.

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Courtesy of @cataalmada_music.

With nothing random, throughout the night Twenty One Pilots He was forming in the imaginary of the clique a distorted photo of his own work, which is the product of the confluence between his albums. The introspection of Backslide contrasted with the hopeful Shy awayof SCALED AND ICY (2021)the album less loved by fans. In addition, with only half an hour something had been clear: that Top You do not need to generate any climate to attract the viewer. The visuals, which changed their color according to the era of each album, and the songs always carry a magnetism that causes the listener to let it consume.

On stage, The band gives life to that musical monster that they created over the years. They portray the dying city of Suewhere Bishops practice a fictitious religion called “Road”. They dress from Banditosthe group of rebels who hide in trenches to avoid being consumed. In the middle, Tyler serves as CLAYthe protagonist of the story and his enemy, Blurryface. The narrative lends itself to the most natural resource of the singer; His voice, which can go from heartbreaking screams to total park.

None of that would be possible, of course, Without Joseph’s presence as Frontmanwho not only jumps unbridled and marks the rhythm of the show, but also operates with charisma and determination above the stage. For its part, Dun From his drummer silence delighted fans with pirouettesand added greater depth to interpretations with contributions from the synthesizers and choirs.

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Courtesy of @cataalmada_music.

And so the night passed, with a band to which The electronic sound feels comfortable, but that is camouflaged without problem between different genres; Such are the examples of Chill-Out songs as Heathens, Routines in The Night and Nico and The Ninersas well as others that approach the post-punk and rock, such as Next Semester and Navigatingone of the high points of the show.

Twenty One Pilots and its audience, an indestructible bond

For Try the loyalty of your audiencethe two protagonists were between the front and the rear, and deployed their entire technique in a Medley. He highlighted Addict with a penone of the most remembered cuts of the debut album under homonymous name, and Migraineanother of the most popular themes of Vessel.

After a flashes game with Mulberry Streetit was the turn of the essentials, a list composed of the furious Heavydirtysoul and Jumpsuittogether with the mega hits as Ride and Stressed out. There was also time to My Blood and LAVISH.

However, it was with Paladin Strait that the end of the concert was unleashed, in which he slipped Midwest Indigo And, almost as routine, he concluded with Trees. The costumes, lights, chopped paper, fire and explosions contributed to the artistic ambition of the duo, which managed to forge an indestructible link with their fans.

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Courtesy of @cataalmada_music.

And that shows both when he arrives and when he left the recital; From the committed looks of the clique -which the work of top allows- to the thousands of throats that ended up scraping, with the aim of singing in synchrony with Joseph. Therefore, and for having a great relationship with Latin America -and especially Argentina -, it was that the musicians were carried away by the passion of those present.

“I don’t know if I can think a better place to finish the tour than Buenos Aires”Joseph was sincere at the end of the show. For that moment I was already empty, after having given his work to the Argentine public.