The film is a classic of Argentine cinema. It was directed by Alejandro Doria and premiered in 1985.
Antonio Gasallafamous actor, humorist, television screenwriter, playwright, director, producer and professor of Argentine Theater died on Tuesday, at 84 years of age, after suffering a long illness.
Together with other famous artists he had been a precursor to Café Concert in the 60s and 70s, and from there he jumped to television, theater and cinema playing characters that left an indelible brand on the national scene.
Among so many remembered people, one who undoubtedly fell deep into national popular culture was that of Mama Cora in the film Waiting for the float.
The story behind waiting for the float
The film originated in the theatrical piece waiting for the float, of the Uruguayan Jacobo Langsnerspecialist in the theatrical genre called “Grotesco Rioplatense”. The Argentine film version and adaptation has the written script of Langsner and the adaptations of Alejandro Doria.
Waiting for the float
The film was starring Luis Brandoni, China Zorrilla, Antonio Gasalla, Julio de Grazia and Betiana Blum. Co -starring Monica Villa, Juan Manuel Tenuta, Andrea Tenuta and Lidia Catalano. Also, he had the special performance of Cecilia Rosetto, Enrique Pinti’s special participation as a guest actor and the presentation of Darío Grandinetti. She is considered a cinema classic in her country and one of the most important of Argentine cinema of the twentieth century. It was released in Buenos Aires on May 6, 1985 at Atlas Lavalle and simultaneous cinema.
Where to see waiting for the float
The movie is Available in Max and Prime Video. Although both are payment platforms, Prime Video It allows access to a free test, which can be canceled at any time, which would allow you to watch the movie at no cost.
Source: Ambito
I am an author and journalist who has worked in the entertainment industry for over a decade. I currently work as a news editor at a major news website, and my focus is on covering the latest trends in entertainment. I also write occasional pieces for other outlets, and have authored two books about the entertainment industry.
