Three national premieres are recorded on the billboard

The re -speech at all orchestra of “Waiting for the float” and the debatable appointment of Cristina Agüero In the Advisory Council of Incaa they covered a bit to the humble national premieres of this week, which they do not have for advertising.

There are three, very different from each other. With commercial visos, “The night of the three fires”of Andrés Paternostro and Daniel Alveredo. In this drama, as well as in the ’70 George Scott He starred “Where is my daughter?” (Original title, “Hardcore”), here Ricardo Merkinfinally in a leading role, ask where her granddaughter is, and ends the shots. Good idea, which could be better developed.

More successful, and with totally different style and intention, “Nancy“, of Luciano Zitoslowly paints and with subtle details the portrait of a girl who cleans summer houses in Villa Gesell, and also has something to clean and feel better. The actress very well Camila Peralta In this role. To take into account: Zito It debuts here in fiction cinema, but it already has a long career documenting life, regrets and struggles of anonymous people. That is, he knows what he is talking about.

And speaking of documentaries, the third premiere appears, “No daughter”of Beautiful Silvina. She is the daughter, and the title is not because her mother had her short, but because she is the chemistry teacher Marta Zahores. In 2002, she and a colleague began Esquel’s peaceful fight against a mining company that sought to initiate an open sky near Los Alerces National Park.

It was to maintain the cleanliness and beauty of the place, or let everything, even the health of its inhabitants, destroyed a cyanide victim used in this type of farms. The settlers were reported, the provincial government had to make a binding referendum, and paradise remains. Until someone by chance starts a fire.

The advice

Better late than ever, the INCAA intervention decided to form the advisory council that marks the law, according to which there must be, all ad honorem, five representatives of as many cultural regions in which the country is divided, and six relevant personalities of production, management, action and technical work. That says the law, “relevant personalities.” In total, eleven counselors, same amount as a football team. Now that the head of the INAA addresses his advice, that is something else.

The set highlights the Mr. J.AND. BUONO REPETTOwhich arrives representing the center of the country. It was Vice del Inaa during the management of Liliana Mazureand vice from the Cultural Institute of the Province until 2023. Some reproach him a camper past, but his experience is undeniable.

Also remarkable, the director Martín Desalvo (“Those held without dreams”, “The Silence of the Hunter”, etc.), the veteran actor Horacio Rocathe technique Laura Inés Fortini, which has already integrated evaluation and preclassification committees in other efforts of the INCAA, and the director Andrea Testa (“The long night of Francisco Sanctis”, “Mom girl”), who also has the experience of having completed in the Enerc, the Incaa’s own film school.

With regional laurels in audiovisual production and cultural management are recorded Andrea Breninato GaticaPuntana, the teacher Mario Andrés Giménezmissionary, Carina GavaldaFueguina representative of Patagonia, and the montajista Federico CasoniGraduated from the UBA that the Department of Audiovisuals of the Ministry of Culture of Salta leads today.

Little known, the producer Sergio Martin Mazza. And too well known, the actress, librettist, director and producer Cristina Agüero. Without wanting, she is the stone of the scandal. The common public is recorded as an actress in one of Tristan, “Orthology expert.” The people of the industry recriminate him having produced three embarrassing clothing films: “Corrupt police” (the director preferred to use a pseudonym), “The house on the beach” (the director does not keep him good memory) and “Olaf”, with Juan Acosta and a dog.

There are three, but neither did any other to advise anyone. That is, he does not question her for the kind of films she made, but for having done them wrong. After all, Yves Rousset-Rouard produced “Emmanuelle”, which was a scandal in his time, but it was well done, it was a worldwide success that gave huge dividends, and for those reasons, and because it also produced beautiful works of other genres, even receiving the legion of honor (we talked about works by Joseph Losey, George Roy-Hill, Michel Ocelot and other authors of that authors caliber). Let’s say a slight difference is noted.