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Sor Juana Inés de la Cruz: virtue does not need applause, it hears it

Sor Juana Inés de la Cruz: virtue does not need applause, it hears it

The book was called “Sor Juana” and the writer’s name was Octavio Paz.

They acted in the film, Héctor Alterio, Lautaro Murúa, Gerardo Romano and in the main male roles and a Spanish actress in the main female role. Assume Serna.

The book and the film obviously referred to the life and work of a Mexican nun and singular poetess who died in 1695: at the age of 43, Sor Juana Inés de la Cruz.

She was undoubtedly the most enlightened woman in seventeenth-century Castilian literature and her fame spread throughout America and Spain.

She was already a child of an astonishing precocity.

At the age of 3 he learned to read and write.

At the age of 8 he wrote a story, which he sent to a Mexican newspaper with his photo.

In response, he received a few lines from the editor of the newspaper stating to him, the adult who he supposed had dictated the story to the girl, that the story was very good, but that it was more important that they explained to the girl, that God would punish her if she sought flattery that he did not deserve, since he supposed that at the age of 8 he could not have written that story.

Praise and injustice came to him together.

She appeared crying to the editor of the newspaper, telling him:

-“Mr. Pick a topic and I’ll write you a poem right now.”

The Director accepted the suggestion and 15 minutes later when the girl handed him the poem, he tenderly kissed her and with tears in his eyes said:

-“Forgive me: I promise that tomorrow I will publish it in my diary”.

Sor Juana Inés liked to investigate the deepest mysteries of creation and also psychology, not yet discovered as a science.

When she was 13 years old, the Viceroy of Mexico incorporated her into the Court as Maid of Honor.

Just entering adolescence, he already clearly understood the intrigues, ambitions and falsehoods of that fictional world.

She was beautiful as a woman and had been a natural child, which at that time, was almost a sin.

It was unintentionally an emblem of feminism and the claim of women.

His effigy is today on Mexico’s paper money, which tells us about the value he has on his land.

She was a nun in the convent of San Jerónimo and there she demonstrated her personality and her values.

As a writer, it happened to her like Vivaldi in music. It was also forgotten because centuries until in 1910, the Mexican poet Amado Nervo, who also completed his ecclesiastical career without finishing it, brought it out of the darkness until today with a tight biography, which includes what is perhaps his most famous poetry. . It’s called “Rounds”.

And I am going to allow myself to read 2 or 3 stanzas of it, revealing not only his undeniable talent, but also his ideals.

Foolish men you accuse

To the woman without reason

Without seeing that you are the occasion

The same thing you blame.

Yes, with unparalleled eagerness

You request their scorn

How do you want them to work well?

If you incite them to evil?

you are always so foolish

that with uneven level

To one, you blame for cruel

And to another, for easy, you blame

What greater fault has he had

in a mistaken passion

The one that falls begged

Or the one who begs for the fallen?

Or which one is more to blame

even if anyone does wrong

The one who sins for the pay

Or the one who pays, for sinning?

And I close this column with an aphorism that I dedicate to this great poetess in which her purity and her talent harmonize.

“VIRTUE DOES NOT NEED APPLAUSE. HEARS THEM.”

Source: Ambito

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