For further reference, the mark for a female artist up for auction is $ 44.4 million, established in 2014 with “Jimson Weed/White Flower No. 1” from Georgia O’Keeffe.
Sotheby’s announced Wednesday that “Diego and I” (1949), the last “bust” self-portrait completed by Kahlo before her death in 1954, will headline her New York sale of modern art the week of November 15. Being the 16 of the same month the day of its auction.
The work was last sold in Sotheby’s for 1.4 million dollars in 1990 and now could be sold again for more than 30 million in an exhibition to be held on November 16.
Whoever buys it, warned Sotheby’s, you must adhere to Mexico’s strict national heritage laws, which prohibit the export of its most famous works of art.
In dialogue with the Télam agency, the director of Sotheby’s Latin American Art, Anna Di Stasi, refers that the phenomenon of Frida Kahlo has been going on for several decades and that since the 80s “her figure, the myth” began to be disseminated, and although her production is not too large, it had a great influence on other Mexican or Latin American artists and on “the way in which Latin American surrealist art has been interpreted “, he indicates.
“The artist has remained a great postmodernist, feminist image, independent of the cultural and artistic traditions of her country, but at the same time very based on a personal interpretation of them. All this being a woman, being part of that perfect triangle of Surrealist women: Frida Kahlo, Leonora Carrington and Remedios Varo. The three together also belong to this moment of interest, institutional and collectors on this movement in Latin America “, Di Stasi explains.
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