“El bro y la sister”, by Carolina Liponetzky directed by Juan Tupac Soler, with performances by Lucana Grasso and Federico Martínez, is presented on Tuesdays and Sundays starting at 10:40 p.m., with four performances daily.
Microtheater was renewed in April with works that address the desire theme. From sexual desire, the search for desire in therapy, the desire for revenge, the desire for success or to recover what one once had, the 30 stories that are presented from Tuesday to Sunday are always an attractive outing that combines drinks, food , theater and an environment where friends, couples and even families predominate.
In the central session from Wednesday to Saturday you can see “Fuel Sisters”, written and directed by María Paula del Olmo; “Believe or burst”, from Maricel Santin; “Artificial disintelligence”, Carla Scatarelli; “In the next chapter”, Marina Lamarca; “Not suitable for neighbors”, Laura Otaola and Serrana Diaz and “Love rap”, directed by Jorge Roman. In other sections, we highlight “The Bro and the Sister”, by Carolina Liponetzky directed by Juan Tupac Solerwith performances by Lucana Grasso and Federico Martínez; which runs on Tuesdays and Sundays from 10:40 p.m.; “Danger of extinction”, directed by Sebastian Suñéalso Tuesdays and Sundays in central and “Solo el Deseo”, by Cecilia Meijide and Gabo Baigorriaon Wednesdays and Saturdays in Golfa.
We spoke with the director and actress of “The bro and the sister”, Juan Tupac Soler and Luciana Grasso, about this story of two young music stars who go from heyday to decline after having lost inspiration. With ABBA as a backdrop and musical inspirations, they resort to unexpected and even macabre gadgets in order to recover the lost brilliance.
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Journalist: What attracted you to the story of brothers?
Juan Tupac Soler: The game, this meeting of two brothers with a strange and successful past at the same time. As well as their surreal sides with this object/helmet that makes them tell the whole truth. It is interesting to see their attempt to return to what they were.
Luciana Grasso: I like everything that is musical and above all I found it fun. Furthermore, working with friends is the best and here we gave ourselves that pleasure.
Q: How is the Microtheater experience different from conventional plays?
JTS: The interesting thing is the rhythm that the work requires, the dynamism. The space is very friendly and the axis is always that each work finds its power and stands out in itself. In this case, we are also a group of friends prior to this work, which makes the work dynamics more bearable, for the simple fact of having a code created between us for a long time.
LG: It is an experience different from everything else, you have to manage your energy very well and performing in a place that is a bar with movement of people, many different works is a very different proposal and above all it works.
Source: Ambito
I am an author and journalist who has worked in the entertainment industry for over a decade. I currently work as a news editor at a major news website, and my focus is on covering the latest trends in entertainment. I also write occasional pieces for other outlets, and have authored two books about the entertainment industry.
