The last week of November offers a good theatrical menu for an end of the year that faces farewells and several revivals for 2025. The last of “The Extraordinary Life” with Valeria Lois and Lorena Vegaexcellent work written and directed by Mariano Tenconi Blanco with original live music Ian Shifres and Elena Buchbinder. Aurora and Blanca are lifelong friends, natives of Ushuaia. Aurora is a teacher, she moves to Buenos Aires, she gets married, she has a son, a lover, a husband. And write poetry. Blanca is a dressmaker, she lives with her mother, her mother dies, she has a boyfriend, then another, then another, she always suffers. And he also writes poetry. Two ordinary lives, perhaps a miracle, as in life. At the Picadero Theater.
Today the last of “Juan Vairoleto”, the posthumous work of Juan Carlos Genedirected by Carlos DiPasquo and Fernando Martincentered on the life of a rural “bandit” who became a symbol of popular justice. With Juan Gil Navarro like Vairoleto, Say Pasquo shared with Gene all the stage works from the 80s until his death in 2012. It can be seen today at 7:30 p.m. Dumont 4040.
This is the last week of performances of “What the river does”, written, acted and directed by Maria and Paula Marull, at the Astros, from Wednesday to Saturday at 8pm. After selling out, they advertised their farewell as “Cast exhausted, there are still seats left.” With a confirmed return for March 2025, the work revolves around Amelia, an overwhelmed woman, lost between objects and obligations, whose present is a mountain of demands that she tries to climb every morning. The death of her father forces her to return to her hometown where she will experience a profound transformation. With performances by William Prociuk, Monica Raiola, Mariano Saborido and Deborah Zanolli. Original music: Antonio Tarragó Ros.
“The tightrope walker”, with Mauricio Dayub, directed by Cesar Brie and on texts of Patricio Abadi, Mariano Saba and Dayub, offers its last two performances on Wednesdays at 8 p.m. on El Nacional. It re-releases in CABA on January 22 and on Mondays in Mar del Plata at Teatro Neptuno from January 5 and on the Argentine coast (January 10 Pinamar, 17 San Bernardo, February 1 Pinamar, 8 Necochea, among others). The other work of Dayub, “The amateur”, presents its last three performances on Thursdays at 8:30 p.m. at the Chacarerean, with performances by Gustavo Luppi and address of Luis Romero. Friendship, passion and giving your life without expecting anything in return is the essence of this work. Re-release on Mondays in Mar del Plata.
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“The sound”, of Javier Daulteoffers its last performances on December 2 and 6 at Espacio Callejón. The twists and turns of the psyche that lead to madness, loneliness, life pulsed by a belief, faith, truth, post-truth and family ties that like a pendulum preserve or destroy are some of the themes. The maternal and paternal figures determine and permeate the characters and their protagonist, Luciana Grasso, He lives with spectral presences, is he wrong or are the others wrong? Terrible mothers and absent fathers condemn these creatures to a contingency that is difficult to transform. With Ramiro Delgado, Silvina Katz, Paula Manzone, Agustín Meneses, Marcelo Pozzi, William Prociuk and Maria Villar.
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On Saturdays, December 7 and 14, the latest performances of “I want to say I love you,” with Lucia Adúriz and Violeta Urtizberea, with dramaturgy and direction White Tenconi and music from Shifres. A tribute to love, to literature, to unbridled passion, to mythical love, against all odds, to impossible love, because all love is impossible love. At the Picadero Theater.
The latest features are offered “La Pilcarcita” on Fridays with a double function at 8 and 10 p.m. in El Camarín de las Musas until December 13. The work written and directed by Maria Marull on whether miracles arrive unexpectedly or are built day by day, it sold out all its performances since 2015 at El Camarín de las Musas, festivals and national tours and at the reopening of the El Plata Cinema Theater belonging to the Buenos Aires Theater Complex. Ten years with a full house, 600 performances and more than 50,000 spectators; applauded in Argentina and in Madrid. With performances by Agustina Cabo, Julia Catala, Mercedes Moltedo and Julián Rodríguez Rona.
The last three functions of “My favorite things” written and directed by Macarena García Lenziwith the performance of Valeria Giorcelli, in El Camarín de las Musas, which has a confirmed revival for 2025. It is a piece for four characters with only one on stage, about a woman who receives visitors in her living room that only she can see and around the table she starts a conversation that indicates a reunion of close friends who stopped seeing each other in adolescence. Fridays at 8:15 p.m. until December 13.
The last two functions are performed “There is no band”, with acting, dramaturgy and direction of Martin Flores Cardenas, on Fridays at 8:30 p.m. at Casa Teatro Estudio. The work proposes to review the process of creation and assembly of a work, asking about the limits of existence and representation.
“Rattan” presents its last performance of the year on Saturday, December 7 at 8 p.m. in El Extranjero, with the winner of the Trinidad Guevara Raquel Ameridirected by Mariano Stolkiner, in a painful and poetic work of Natalia Villamil about the mother of a femicide. The work received many recognitions for its fight against gender abuse and violence.
You can see the last performance of “I will be”, of Lautaro Delgado Tymruk and Sofia Britoat the Teatro del Pueblo. From the testimony he gave Guillermo Fernandez In 1985 during the Trial of the Juntas over his kidnapping and escape from the clandestine detention center called Mansión Seré, an actor takes his body. Rerelease confirmed for next year.
The latest of “The force of gravity”, of Martin Flores Cardenas, with Laura López Moyano, on Saturday at 8 p.m. at Casa Teatro, which will be revived in 2025. The work radicalizes the reality-fiction tension. Flores Cardenas She relates that one day she invited friends of actors and actresses to her house and asked an actress to read a new work that she did not know, giving her the freedom to finish it whenever she wanted. The viewer never knows if the end of that reading is already scheduled from the beginning and is the same in all representations, transforming it into a fictional game.
Source: Ambito
I am an author and journalist who has worked in the entertainment industry for over a decade. I currently work as a news editor at a major news website, and my focus is on covering the latest trends in entertainment. I also write occasional pieces for other outlets, and have authored two books about the entertainment industry.
