A plastic sample celebrates the peace treaty with Chile

In it Pavilion of the Fine Arts of UCA It is exhibited “Air Bridge 04” in commemoration of the 40 years of the peace and friendship treaty between Chile and Argentina under the curatorship of Ernesto MuñozPresident of International AICA, Chilean Chapter, which summoned 22 relevant artists from both countries.

Among Chilean artists, Soledad Chadwick It presents a fractal geometry between mathematics and the nature of a minimalist nature. We highlight the assembly of Alicia Larrain a three -dimensional checker with 16 portraits of Pablo Neruda and Delia del Carrilhis second wife, recorder, painter, Argentine cartoonist who left her artistic career to become secretary and editor of the future Nobel Prize.

Karen Lüderitz portrays the Chilean landscape through large color blocks, Marcelo Kohnoutstanding photographer, makes us meditate through “Vestiges” About silence in front of a monumental ice mass. Jaime Urbinahe points out that “both chromatic and unconscious emotion are fundamental states in the development of my work”, his work of geometric character, of great rigor. Another geometric artist is Andrés Vío With opposite symmetry, asymmetry, rhythm and contrasts of its composition, in the words of Cecilia CavanaghDirector of the UCA art space.

Of great transparency, Chinese ink, oxides, crinoline, organza is “La Absurda”, (2022) work of Angela Wilson with which he pays a tribute to Teresa Wilms Montt (Viña del Mar 1893 – Paris, 1921), Chilean writer, precursor of feminism, of novel life, locked by her husband in a convent of which helps her to escape Argentina, the great Chilean intellectual and poet Vicente Huidobro. Hilda Rochna Use Carrara marble for the work he presents, a small and delicate sculpture of 2015, two geometizing blocks waiting to join or enable.

Among the Argentines, Juan Asticaa native of Chile has lived for decades in Buenos Aires. His work is characterized by Drippings, spatula tip, vibrant colors, a kind of pictorial whirlwind that this time seems more timeless. His 2018 work has no title, only a Code Ti 801016.

Belonging to the series “Approaches”, Jacques Bedel It presents a work of 2007 in PET and PVC laminated, a fusion of unconventional materials, of great transparency with folds that adequate lighting makes it intriguing and mysterious.

Among the meaning of the immense word are: gigantic, great, colossal, extraordinary, exceptional vast. All these adjectives can be applied to the work of Nora Correas, (Mendoza, 1942). The exposed work corresponds to its 1990 series “Cota, layer, house, thing” and that it was exposed in the National Museum of Fine Arts under the title of “Adding”anthological exhibition with curatorship of Corinne Sacca Abadi. Broken glass, reeds, wire, fabric iron, pigments in a tribal and ritual conjunction. His always reflective, uneasy work, never complacent, continues to cause restlessness in the contemplator.

Important the presence of the sculptor Hernán Dompe of whom lately is almost not seen. We remember his exhibition in 2017 at the MAT (Art Museum Tigre) and also on the Duhau Pase good heavens. Just as there is a Klein blue, there is a blue domp. An admirable trade either in wood, iron, granite, marble. A maker, far from intellectualizing his art, away from any power system.

Zulema Maza digitally portrays a Victoria Ocampo in front of the sea and also in pose with a hat in a meditative attitude, Matilde Marín He faces landscapes that we do not know if they are real, hence their mystery. Eduardo Medici, Artist of vast trajectory as almost all members of this exhibition exhibits “art is a battlefield” acrylic s/fabric made in 2023, title perhaps taken from the American artist Barbara Kruger who made a collage with this name. Reviewing the book dedicated to this artist, reference is made to the faces that demonstrate the passage of time, the almost always deformed body, its veiled eroticism, the marks of the precarious existence, its meaning, death. It is not easy to stand in front of your works

It is the first time we see the work of Marcelo von der Heyde who lives in Guaymallén (Mendoza). Ernesto Muñozcurator of this exhibition, he wrote that “when painting the landscape the artist does not consider recovering it. It is involved in the colorful result of color knowledge. ” It exposes a geometry of intervened metal sheets, also in its sculptor character.

The work of Osvaldo Monzo “East nights” (2002.) Since its inception his work was considered an expressionist, influenced by the new image and transvanguardia belongs to a generation that sought the return to painting, after decreeding so many times his death. Monzo It focuses on light, color, texture, the pleasure of the brushstroke.

Alicia Moreau de Justo 1300. Tuesday to Sunday from 11 to 18.30. Free and free entrada. Closing on April 6.