They coincide on the billboard, and in different alternative spaces. In addition to the film by the Onetti brothers, “after the end”, by Pablo César
They appear on the billboard, or rather distributed in various niches, six national premieres, still reaps 2024. The only commercial intention (honest intention) is the bloody “1978”of the brothers Luciano and Nicolás Onettiwhere members of a group of tasks capture members of a satanic group, and so. In horror film festivals, Ontario and Phoenix down, “1978” He already achieved 12 awards, in the best film, script (which could still be better), cast, effects, sound, makeup and photography.
“After the end”of Pablo Césarhas another intention: pay tribute to Luz Fernández de Castillopainter, writer, gallery owner, editor of abundant art and poetry books that, almost nonagenaria, acts in the film by making a fictional character identical to her. In other words, this is not a documentary or a routine biopic. His growth in the bookstore of Father Granada, loves, precious friendships, unleashed, veneration to Borges and García Lorcathe road to the operating room (“The magnificent forest of the future has become the dry leaves of the present”) are represented here in a staging of a particular style, capable of including as the most natural the visit full of joy of a dead brother. Eleonora Wexler and the remembered Héctor Bidonde They are some of the several participants in this unique tribute.
For its part, in “Large shadow” Maximiliano Schonfeld He makes a kind of tribute, who is also fired twice, to the old Germans of the Volga based in the Entrerriano field, and the old man Blas Jaimewhich preserved the chaná language of its ancestors. The Chaná, today practically extinguished, lived where Russia escaped settlers were later installed, whose spirit is also lost. His younger descendants are already in something else. Oblut, the moment when the poem of Julian Vejarano “Big Shadow” He is read by those old people, each in his language. Curious that here, where some fill their mouths talking about the roots, records like it are unnoticed (and little impact had the first, “Lantec Chaná”of Marina Zeishing2017)
It remains to mention another of terror, “The hacienda. The return of the cursed “of Gaby Smithswith that kind of people who go where it is not convenient and is received by someone (in this case, justifiably) vindictive, and a couple of documentaries made by young women with different interests and scopes: “Eastern wind”, Godardian essay Maia Gattás Vargas which brings to memory what is known about the immigrant grandfather and carries the camera from Bariloche, all snowy, to Palestine, the land of the grandfather, and “Wacay. Tabacal women “of Belén Revollo, Well -armed jujeña production where peasant tanned hands, suffered lives and lost dreams work without resolving and talk about the trade, effort, and family beyond work. The phrase of Ruiz Aguilerawell disseminated by the payadores of other times: “Saying is the cigar what life is: fire of a few moments, smoke and ash.” So is the life of movies, especially nationals.
Source: Ambito
I am an author and journalist who has worked in the entertainment industry for over a decade. I currently work as a news editor at a major news website, and my focus is on covering the latest trends in entertainment. I also write occasional pieces for other outlets, and have authored two books about the entertainment industry.
