The so-called “Argentine blonde bombshell” in French cinema, originally from Gualeguaychú, these days is the center of Ficer, the international film exhibition that takes place in that province
Tilda Thamar, “la bombe blonde argentine”, the Argentine blonde bombshellas they called her in France, a scandalous vampire of Argentine and European cinema of other times, is now remembered by her countrymen with an altar of personal objects and paintings that bear her signature. It happens these days, during the 6th Ficer, Entre Ríos International Film Festivala meeting that is taking place in twenty cities in the province, with screenings, competitions, talks, workshops and recitals.
In just a few years, Ficer has grown a lot, and it can grow even more thanks to a recent agreement with the San Sebastián and Málaga festivals. It has a national competition and a decent sample of foreign cinema (this year highlights “Dahomey”of Mati Diopa pre-candidate for the Oscar), but it also already has its own personality, affirmed in sections of specifically Entre Rios and coastal cinema, expanded to Córdoba and Paraguay. There is a regional market, and rescues of important figures through the Entre Ríos Cinematheque.
This year those figures are Fernando Ayalanative of Gualeguay, director of “The Boss”, “Sweet Silver”, “The Arrangement” and other valuable titles, the Santa Fe production company Marilyn Contardi and the teacher Jorge Surraco (Cinemateca restored three of his creations, including “This river, these islands”about the poet Juanele Ortiz). But what draws attention is the rescue of Tilda Thamaran actress envied and deified in her time, then forgotten, and now vindicated.
Born in Urdinarrain, department of Gualeguaychú, as Matilde Abrechtone day he renamed himself Tilda Thamar (the latter for Martha, his mother) and entered the show stomping. Elegant, graceful and mischievous, she was chosen by directors such as Manuel Romero, Saslavsky, Pierre Chenal, Soffici, Christensen, Edgar Neville, Henri Verneuil and Jesus Franco. Between 1946 and 1974 he acted in about 70 films from Argentina, France, Spain and Germany, among them “Adam and the serpent”prohibited in Chile “for reasons of morality and good customs,” “Ronde de nuit”, “The Naked Woman”, “Paris canaille”, “Satan’s Feast” and “The predators of the night”she married a French count and then a Spanish painter, who made her revive her initial vocation.
This is how, when he grew up, he dedicated himself to painting. There were good exhibitions of her in Paris, and some of her best paintings are those now exhibited at the Ficer. He died in 1989, the victim of a traffic accident in northern France. Two years later, an image of him was the protagonist of one last scandal. It happens that in 1949 Annemarie Heinrich I had taken a beautiful artistic photo of him. Naked In 1991 Henry He put that photo in the window of his studio in Recoleta. And although it may seem like a lie, just for that reason, they closed the place.
Source: Ambito
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