In the Museum of Decorative Art, the exhibition “Art, Design and Modernity” can be visited, integrated with part of unpublished materials that it used for ephemeral posters and architectures.
The sample dedicated to Ary Brizzi (1930-2014) in the Museum of Decorative Art “Art, design and modernity”under the curatorship of María José Herreraallows you to discover an unprecedented facet of this great artist of Argentine art.
Brizzi It began, by 1950, in the design of Fair Stands, in the advertising and interior graph, it discovered new materials and ideas so that between 1951 and 1973 it would create posters, ephemeral architectures and objects in a time of prosperity in Argentina.
Points out Herrera That this exhibition is the result of an intense investigation of their archives, such as the posters for the Water and Electric Paz The celebratory poster of YPF gold weddings in 1956.
He also made stands for the Argentine pavilion at the World Trade Fair in New York, for IKA in 1965 and for the pavilion of the Ministry of Industry and Commerce at the Fair of America in Mendoza whose photos were taken by Sameer Makarius.
One of the rooms is dedicated to the combination of new materials, iron, aluminum and acrylic plaques. Another to the comfort of modern life in order to release the domestic and labor environments of the decorative ties of the styles. You can also see paintings in public spaces and in private collections as well as fair architecture as in those already named nationally and internationally.
By the end of the 50 he was part of the geometric avant -garde, the specific neo ones who in close collaboration between Paris and Buenos Aires adhered to optical and kinetic art and also as heir to the visual experiences of the Bauhaus. Brizzi He moved away from the orthodoxy of concrete art and entered what was called a new art and after the visit of the French artist Victor Vasarely along with other young artists among them, Mac Entyre, Vidal, Silva, Espinosa They entered the optical art. Later criticism called “sensitive geometry” to what these artists did.
The exhibition focuses on the artist’s archive, properly dated and preserved exercises, posters, logos, stationery, brochures, catalogs well recognized by his geometric work both in the plane of painting and sculpture, possessor, according to the critic Fermín Fevreof a “visual thought” but that in this exhibition reveals his important task as a designer.
María José Herrera She is the author of the book next to be published on the complete work of this artist of great pictorial solvency and a chapter in charge of Marcela Gené About design in Ary Brizzi.
Av. Libertador 1902. Wednesday to Sundays from 13 to 7. Closing in mid -March.
Source: Ambito
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